"Vespers, Op. 37: I. Come, Let Us Worship" by Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Vespers, Op. 37: I. Come, Let Us Worship's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninoff: Vespers, Op. 37 (Live)". In this album, this song's track order is #1. Based on our statistics, Vespers, Op. 37: I. Come, Let Us Worship's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vespers, Op. 37: I. Come, Let Us Worship by Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt | Johann Sebastian Bach, Ensemble Accentus, Laurence Equilbey | E♭ Major | 0 | 5B | 78 BPM | ||
| Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
| Miserere, Op.44: 5. Domine Deus noster-Meno mosso, lento molto tranquillo. Tender | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 80 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
| Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
| Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | ||
| Liturgical Chants: Ave Maria | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 127 BPM | ||
| Pod Tvoju Milost Pribegayem (Under the Mercy, Prayer to the Mother of God) | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Vespers, Op. 37: IX. Blessed Be the Lord | Sergei Rachmaninoff, Victor Rumyantsev, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | A Major | 0 | 11B | 93 BPM | ||
| 3 Khora: No. 2, Lyubov Svyataya (3 Choruses: Sacred Love) | Georgy Sviridov, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | D Major | 2 | 10B | 83 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 133 BPM | ||
| Pange lingua, WAB 33 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 132 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
| Vespers, Op. 37: III. Blessed Is the Man | Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | D♭ Minor | 0 | 12A | 129 BPM | ||
| Nine sili nebesniye | Alexander Sheremetiev, Chorovaya Akademia | E Major | 0 | 12B | 134 BPM | ||
| Choir Concerto: I. O Master of All Living | Alfred Schnittke, USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Minor | 1 | 5A | 78 BPM | ||
| We sing Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 140 BPM | ||
| Tre Körvisor - September | Wilhelm Stenhammar, Eric Ericson | B Minor | 1 | 10A | 81 BPM | ||
| Vespers: No. 1, The Opening Psalm | Benedict Sheehan, Michael Hawes, Timothy Parsons, The Saint Tikhon Choir | D Major | 0 | 10B | 84 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM |