"花はどこへ行った" by 蒲原史子 had its release date on February 21, 1997. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 花はどこへ行った's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in フィオーリ〜花の歌, so we believe that "花はどこへ行った" is a single. In terms of popularity, 花はどこへ行った is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 花はどこへ行った by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| アマポーラ | 蒲原史子 | D Major | 0 | 10B | 96 BPM | ||
| あざみの歌 | 蒲原史子 | F Major | 1 | 7B | 89 BPM | ||
| Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 67 BPM | ||
| Medea (Medee) (Sung in Italian): Act III: Finale: E che? Io son Medea! (Medea) | Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini | D Major | 4 | 10B | 81 BPM | ||
| Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Il Trovatore: Timor di me? ... D'amor sull'ali rosee | Giuseppe Verdi, Liping Zhang/Giordano Bellincampi/City of Prague Philharmonic Orchestra, Giordano Bellincampi, The City of Prague Philharmonic Orchestra | F Minor | 0 | 4A | 83 BPM | ||
| Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D♭ Major | 1 | 3B | 84 BPM | ||
| Orff: Carmina Burana, Pt. 1 "Uf dem Anger": Floret silva nobilis | Carl Orff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | G Major | 0 | 9B | 108 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
| 松林に出かけた乙女たち | 蒲原史子 | D Major | 0 | 10B | 96 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| The Moment of Salvation (Live) | Shen Yun Symphony Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
| 歌劇「椿姫」: 乾杯の歌 | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald(tenor/Primary)/Pavol Maurery(baritone/Primary)/Ladislav Neshyba(bass/Primary)/Jozef Spacek(baritone/Primary)/Peter Subert(tenor/Primary)/Slovak Philharmonic Chorus(Chorus/Primary)/Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 3 | 6B | 200 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | D Major | 2 | 10B | 119 BPM | ||
| Eugene Onegin (Lyrical scenes in three acts) (Act 1): Duet and Quartet; Tatyana: Have you heard beyond the grove | Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra | G Minor | 1 | 6A | 67 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | C Minor | 2 | 5A | 84 BPM | ||
| Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| ブラームスの子守歌 | 蒲原史子 | E♭ Major | 1 | 5B | 121 BPM | ||
| Carmen / Act 2: Quintette: "Nous avons en tête une affaire!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 72 BPM | ||
| Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | ||
| 목련화 | Park Insu | D Major | 9 | 10B | 176 BPM |