English trad., Sigmund Groven's ' "One May Morning (Seventeen Come Sunday)" was released on its scheduled release date, October 12, 2012. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. One May Morning (Seventeen Come Sunday)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 33 in Classical Harmonica by Sigmund Groven. In terms of popularity, One May Morning (Seventeen Come Sunday) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of One May Morning (Seventeen Come Sunday) by English trad., Sigmund Groven is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
| Le quattro stagioni, Concerto No. 1 in E Major, RV 269 "La Primavera": III. Allegro. Pastorale - Arranged by Charl du Plessis | Antonio Vivaldi, Charl du Plessis Trio | E Major | 3 | 12B | 85 BPM | ||
| Miroirs, M.43: No. 4, Alborada del gracioso | Maurice Ravel, Hsiang Tu | A Minor | 0 | 8A | 111 BPM | ||
| Lemon Light | Rylandiaa | E Major | 3 | 12B | 178 BPM | ||
| Vallflickans dans | Hugo Alfvén, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Ensam | Sandra Marteleur | D Minor | 1 | 7A | 84 BPM | ||
| Bi på Herren | Ulf Nilsen, Frøydis Grorud | G Minor | 0 | 6A | 127 BPM | ||
| Abrazados | Pochis | G Major | 1 | 9B | 118 BPM | ||
| Ordner seg (It'll Be All Right) | Øystein Baadsvik, Erlend Skomsvoll, TrondheimSolistene | F Major | 0 | 7B | 85 BPM | ||
| Different Geometry for Solo Clarinet | Peter Graham, Kamil Doležal | B♭ Minor | 0 | 3A | 163 BPM | ||
| Fauré Pavane - Acoustic Guitar | Marina Costa | F♯ Minor | 1 | 11A | 80 BPM | ||
| The Rains of Castamere (from 'Game of Thrones') | The Far Away Jazz Trio | C Minor | 0 | 5A | 145 BPM | ||
| Dragonborn Theme (from 'The Elder Scrolls V Skyrim') | The Far Away Jazz Trio | A Minor | 0 | 8A | 68 BPM | ||
| Mondtraum | Markus Stockhausen, Florian Weber | E Minor | 0 | 9A | 125 BPM | ||
| As It Comes | Thalas | G Major | 1 | 9B | 143 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM | ||
| Solitude Waltz | Klas Jonsson | C Minor | 0 | 5A | 33 BPM | ||
| A Quiet Place (Triptych II) | Amalia Tortajada Zanón, Andrea González Caballero, Celia Ruiz Artacho, Clarice Assad | C Major | 2 | 8B | 73 BPM | ||
| "Der Schwan" für Flügelhorn und Harfe | Bavarian Brass | A♭ Major | 0 | 4B | 109 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Adios Nonino | Eric Baret, Yves Jeanne, Françis Prost, Florent Héau, Bruno Desmouillieres | C Minor | 0 | 5A | 116 BPM | ||
| Inquietudine | Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 5 | 11B | 144 BPM | ||
| Hungarian Rhapsody No. 8 | Bryant Paskewitz, Yaroslav Medvedev-Taraldset | G Minor | 4 | 6A | 166 BPM | ||
| Suite n 1 pour piano et trombone | Davit Armani, Nara Noïan | A Minor | 0 | 8A | 68 BPM |