Peter Graham, Kamil Doležal's ' "Different Geometry for Solo Clarinet" was released on its scheduled release date, January 1, 1995. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Different Geometry for Solo Clarinet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 8 in Bartoň, Graham, Havelka, Kopelent, Matějů, Pokorný: Czech Contemporary Clarinet Music by Kamil Doležal. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. The popularity of Different Geometry for Solo Clarinet is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Different Geometry for Solo Clarinet by Peter Graham, Kamil Doležal is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Different Geometry for Solo Clarinet | Peter Graham, Kamil Doležal | B♭ Minor | 0 | 3A | 163 BPM | ||
| Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: IV. Tempo di Marcia | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F Minor | 1 | 4A | 63 BPM | ||
| サクソフォン・ソナタ Op. 19 I. With vigor | Paul Creston, Kohei Ueno | A♭ Minor | 2 | 1A | 131 BPM | ||
| Taking the Echo for a Stroll | Uli Doenitz | A♭ Major | 3 | 4B | 132 BPM | ||
| Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Quintet No. 1, Op. 73: I. Allegro vivace | Malcolm Arnold, Berlin Brass Quintet | B♭ Major | 1 | 6B | 150 BPM | ||
| Sonatine pour basson et piano: I. Allegro con moto | Alexandre Tansman, Marc Trenel, Pascal Godart | C Major | 1 | 8B | 139 BPM | ||
| Trombone Concerto: I. Moderato assai ma molto maestoso (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Rustiques | Eugène Bozza, Eric Aubier, Pascal Godart | F Major | 1 | 7B | 170 BPM | ||
| Concerto pour trombone et orchestre: I. Moderato assai | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | D♭ Major | 0 | 3B | 73 BPM | ||
| els ulls - Arr. Aitor Llimerá | Matilde Salvador, Aitor Llimerá, Mario Mora | F Major | 1 | 7B | 66 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: I. Allegro moderato | Victor Ewald, Center City Brass Quintet | C Major | 0 | 8B | 107 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 1. Overture | Brian Dean Morales | G Major | 3 | 9B | 77 BPM | ||
| V. Lou Cabridan | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | G Major | 1 | 9B | 150 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Prelude to Act III from “Lohengrin" (Arr. by Kouichi Ohashi for Horn) | WORLD HORN SUMMIT | G Major | 3 | 9B | 77 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Arutiunian: Trumpet Concerto: I | Alexander Arutiunian, Gert Skovlod Hattesen, Christian Lindberg, Prince of Denmark Air Force Band | E♭ Major | 0 | 5B | 66 BPM |