On June 10, 1999, the song "Kahiya Mulakat Hoi Saiyan" was released by Tara Rani. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tara Rani's "Laar Chuve" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Kahiya Mulakat Hoi Saiyan's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kahiya Mulakat Hoi Saiyan by Tara Rani to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Vich Vasna Enh | Naseebo Lal | D♭ Major | 5 | 3B | 84 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Larikaiyaan Mein Gawna | MANOJ TIWARI | F♯ Major | 4 | 2B | 116 BPM | ||
| Piya Mora Leke Aile | Madan Rai | F♯ Major | 7 | 2B | 103 BPM | ||
| Piywa Sipahiya | Tara Rani | C Minor | 7 | 5A | 156 BPM | ||
| Sawai Bhatt Song | Sawai Bhatt | D♭ Major | 8 | 3B | 100 BPM | ||
| Krish Ka Gana Sunega | Ritesh Pandey | C Minor | 7 | 5A | 156 BPM | ||
| Piya Aaj Mori Mano | Jaysingh raja, jyoti Kushvah | F♯ Major | 4 | 2B | 158 BPM | ||
| A Pithabali | UMAKANT BARIK | B Minor | 9 | 10A | 142 BPM | ||
| Thane Kathe Bhalwa Jau | Prakash Mali | A♭ Major | 7 | 4B | 91 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Jhala Anand Khara | Prahlad Shinde | A♭ Major | 7 | 4B | 113 BPM | ||
| Sodun De Daruchi Vait Chal | Vijay Sartape | A♭ Major | 8 | 4B | 173 BPM | ||
| Zumenge Gajal | Ramkhilawan | F Minor | 7 | 4A | 161 BPM | ||
| Chalelu Dahariya Ta Nadi Biche | Gopal Rai | F Minor | 8 | 4A | 150 BPM | ||
| Siya Ram Ji Ke Charnon Ke Das | Kanhaiya Mittal | B Major | 8 | 1B | 138 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Aadhi - Aadhi Ratiya Ke | Madan Rai | A♭ Major | 7 | 4B | 106 BPM | ||
| Malin Hey Tohse | Tara Rani | D♭ Major | 7 | 3B | 151 BPM | ||
| Ye To Bata To Barsane Wali | Bhaiya Krishan Das Ji | F♯ Major | 8 | 2B | 142 BPM | ||
| Hauli Hauli Sikh Layiye | Davinder Kohinoor, Balvir Boparai | B♭ Minor | 5 | 3A | 105 BPM | ||
| Hum To Chuppe Kaini | Tara Rani | A♭ Major | 10 | 4B | 174 BPM | ||
| Ha Ha Re Virapur Aavya Re Baba Charno Ma | Indira Shrimali | F Major | 4 | 7B | 78 BPM | ||
| Dekh Kar Ram Ji Ko | Pawan Singh | B♭ Minor | 8 | 3A | 77 BPM |