"Mon mignault musequin II" by Antoine Busnois, Obsidienne, Emmanuel Bonnardot had its release date on 2003. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mon mignault musequin II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 48 in Chansons de la Renaissance by Obsidienne, Emmanuel Bonnardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Mon mignault musequin II's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mon mignault musequin II by Antoine Busnois, Obsidienne, Emmanuel Bonnardot is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gagliarda | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | G Major | 2 | 9B | 77 BPM | ||
| Recercada No. 1 | Diego Ortiz, Munir Beken, August Denhard | C Major | 2 | 8B | 141 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Contrapunto Primo di B.M. | Vincenzo Galilei, Lynda Sayce, Matthew Spring | G Minor | 0 | 6A | 75 BPM | ||
| Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
| Folias Gallegas (Arr. G. Herreid) | Santiago De Murcia, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
| Anthoni usque limina | Antoine Busnois, Currende Consort, Capella Sancti Michaëlis | D Minor | 2 | 7A | 126 BPM | ||
| Suite in E minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
| Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Regina caeli I | Antoine Busnois, Andrew Kirkman, The Binchois Consort | E♭ Major | 1 | 5B | 85 BPM | ||
| Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
| A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Delight pavan (Arr. For 2 lutes) | John Johnson, Ronn McFarlane, William Simms | F Major | 1 | 7B | 119 BPM | ||
| So ys emprentid | Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén, Rebecca Bain | A Minor | 0 | 8A | 77 BPM | ||
| Missa, "In myne zin": Agnus Dei: Agnus I | Alexander Agricola, A:N:S Chorus, Janos Bali | F Major | 2 | 7B | 123 BPM | ||
| Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
| On a grant mal par trop amer / On est bien malade | Antoine Busnois, Diabolus in Musica, Nicolas Sansarlat | F Minor | 2 | 4A | 72 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Messe de Nostre Dame: Ite missa est | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 66 BPM |