Sextet for string quartet, clarinet and piano: 2. Lento - by Aaron Copland, RTÉ Vanbrugh Quartet, Michael Collins, Martin Roscoe Song Details

"Sextet for string quartet, clarinet and piano: 2. Lento -" by Aaron Copland, RTÉ Vanbrugh Quartet, Michael Collins, Martin Roscoe had its release date on January 1, 2000. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 9 out of 10 in Copland: Sextet; Piano Quartet; Vitebsk; 2 Pieces for string quartet by Aaron Copland, RTÉ Vanbrugh Quartet, Martin Roscoe, Michael Collins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sextet for string quartet, clarinet and piano: 2. Lento -'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Sextet for string quartet, clarinet and piano: 2. Lento - by Aaron Copland, RTÉ Vanbrugh Quartet, Michael Collins, Martin Roscoe is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Music Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.084 dB
Acousticness: 97%
Danceability: 52%
Energy: 12%
Instrumentalness: 82%
Liveness: 15%
Loudness: 70%
Speechiness: 5%
Valence: 8%

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