"Five Childhood Lyrics: Matthew, Mark, Luke And John" by John Rutter, The Cambridge Singers had its release date on January 1, 2008. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Ultimate Collection". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Five Childhood Lyrics: Matthew, Mark, Luke And John is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five Childhood Lyrics: Matthew, Mark, Luke And John by John Rutter, The Cambridge Singers having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 113 BPM | ||
| Visita, quaesumus Domine | William Byrd, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| The Ground | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, The Harrington String Quartet | E♭ Major | 0 | 5B | 81 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Regina caeli laetare | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Psalm 150: O Praise God In His Holiness (Talbot (Sung In Procession Out Of The Nave)) | St. Thomas Choir Of Men And Boys, Gerre Hancock | B♭ Major | 0 | 6B | 88 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| Hail, Queen of Heaven | The Palestrina Choir, Blanaid Murphy | D♭ Minor | 0 | 12A | 87 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 174 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 81 BPM | ||
| Look to the Day | John Rutter, Royal Philharmonic Orchestra, The Cambridge Singers | G Major | 2 | 9B | 73 BPM | ||
| Cantique de Jean Racine, Op. 11 (Arr. J. Rutter for Choir & Organ) | Gabriel Fauré, John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Gloriana, Op. 53: Choral Dance No. 4, Country Girls | Benjamin Britten, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Requiem: Sanctus | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | C Major | 2 | 8B | 79 BPM | ||
| Lord, For Thy Tender Mercy's Sake | Richard Farrant, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM |