"To Live in Fear" by AfterInfinity had its release date on April 4, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 33 in the song's album "Songs of War Season 1: Extended Material (Original Animation Soundtrack)". In this album, this song's track order is #12. To Live in Fear is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Live in Fear by AfterInfinity having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Expansion End Titles | Thorwald Odin | C Minor | 2 | 5A | 60 BPM | ||
| A Touch of Darkness | Pawel Blaszczak | F Major | 3 | 7B | 160 BPM | ||
| The Mires | Wilbert Roget, II | E Major | 2 | 12B | 77 BPM | ||
| Crimson Forge | Nord | D♭ Major | 4 | 3B | 180 BPM | ||
| Finish It | Final Space | E♭ Major | 3 | 5B | 92 BPM | ||
| Epsilon-11 | Avery Alexander | D♭ Major | 1 | 3B | 100 BPM | ||
| Iron and Oil (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM | ||
| Our Enemies Approach | Doyle W. Donehoo | D Major | 1 | 10B | 82 BPM | ||
| From Beneath | Blake Neely | B♭ Minor | 4 | 3A | 90 BPM | ||
| Crash Corpse | Ryan Leo Williams | A♭ Major | 8 | 4B | 150 BPM | ||
| Waterdrive | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Another Day at the Office (Credits Part 2) | AfterInfinity | F♯ Minor | 0 | 11A | 68 BPM | ||
| The Final March | Daniel Garavini | D Major | 3 | 10B | 57 BPM | ||
| Mobile Task Force Alpha-1 | Cinematic Studios, 0blivious_Zer0 | F♯ Minor | 3 | 11A | 120 BPM | ||
| Deplete | Luke Atencio | F♯ Major | 0 | 2B | 140 BPM | ||
| Savages | Pakk Hui | B♭ Major | 2 | 6B | 132 BPM | ||
| USG Ishimura is in Trouble | Trevor Gureckis | G Major | 6 | 9B | 65 BPM | ||
| Resistance Shall Be Made | Avalanche Studios | D♭ Major | 6 | 3B | 160 BPM | ||
| Assault | Hermanos Ferrando | B♭ Minor | 3 | 3A | 119 BPM | ||
| Peace Is Poison | Luc St-Pierre | G Major | 5 | 9B | 146 BPM | ||
| The Foundation | Colossus | F♯ Major | 2 | 2B | 98 BPM | ||
| The Rager Bear | Nathan Whitehead | B♭ Minor | 6 | 3A | 122 BPM | ||
| A Cursed Medicine | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Unusual Suspect | Kaptain, Romain Paillot | C Minor | 3 | 5A | 120 BPM | ||
| Feydrid's Ghost | J.D. Spears | E Major | 1 | 12B | 86 BPM |