Simon King's ' "Llama Fisting" was released on its scheduled release date, May 4, 2010. This song is quite longer than the average track at 5 minutes and 17 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 13 in the song's album "Unfamous". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Llama Fisting is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Llama Fisting by Simon King having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alarmed Clock | Robert Mac | A♭ Minor | 6 | 1A | 94 BPM | ||
| Shitting in a Closet | Shane Torres | F♯ Major | 6 | 2B | 84 BPM | ||
| Vi-quila, Chamomile Tea | Orny Adams | F♯ Major | 9 | 2B | 87 BPM | ||
| High Heels | Joe List | A Major | 7 | 11B | 57 BPM | ||
| Come Together | Josh Blue | D♭ Major | 6 | 3B | 82 BPM | ||
| Red Rover | Josh Blue | A Major | 8 | 11B | 51 BPM | ||
| The Pleasure Chest | Bobcat Goldthwait, Dana Gould | B♭ Major | 6 | 6B | 134 BPM | ||
| Trust / Hot Air Balloon | Kurt Braunohler | B Major | 6 | 1B | 109 BPM | ||
| The Bar (Article 2) | Colin Quinn | D♭ Major | 4 | 3B | 87 BPM | ||
| Childhood Heartbreak | Ryan Sickler | D Minor | 5 | 7A | 130 BPM | ||
| Internal Battles | Dennis Miller | A♭ Major | 8 | 4B | 53 BPM | ||
| Add and Ocd | Mo Mandel | E Minor | 7 | 9A | 80 BPM | ||
| Know Your Gyno! | Kurt Metzger | D Major | 8 | 10B | 44 BPM | ||
| Sea Bass Revenge | Al Madrigal | E Minor | 5 | 9A | 95 BPM | ||
| Time In My Life | Zoltan Kaszas | D Major | 5 | 10B | 102 BPM | ||
| Where Do Our Preferences Come From? | Shane Mauss | C Major | 6 | 8B | 128 BPM | ||
| The "Challenged" Olympics | Simon King | D♭ Minor | 8 | 12A | 131 BPM | ||
| The Hotel is Half Full | Steve Hofstetter | G Minor | 5 | 6A | 70 BPM | ||
| Being Real in the D | Christina Pazsitzky | F Minor | 4 | 4A | 88 BPM | ||
| My Mom at Emcee Battles | Rachel Feinstein | A Minor | 9 | 8A | 131 BPM | ||
| Warm Welcome | Stewart Francis | E♭ Major | 4 | 5B | 78 BPM | ||
| Riff Suite 1: Vaudeville Moths / The Great Chandelier Debate / The Organs of the House Skeleton | Paul F. Tompkins | A♭ Major | 5 | 4B | 80 BPM | ||
| Soft Fears | Rachel Feinstein | D♭ Major | 9 | 3B | 92 BPM | ||
| Louisville | Zoltan Kaszas | E Minor | 6 | 9A | 63 BPM | ||
| The Baby is Half Full | Steve Hofstetter | F Minor | 5 | 4A | 83 BPM |