"Last to Let Go - Daigo Hanada Rework" by Richard Luke, Daigo Hanada had its release date on May 15, 2020. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Luke's "Glass Island (Reworked)" album is number 1 out of 6. Last to Let Go - Daigo Hanada Rework is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Last to Let Go - Daigo Hanada Rework by Richard Luke, Daigo Hanada to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lantern | Federico Albanese | C Minor | 1 | 5A | 115 BPM | ||
| The Place Where They Go | Carlos Cipa | E♭ Major | 0 | 5B | 206 BPM | ||
| As I Was - Slow Meadow Rework | Olivia Belli, Slow Meadow | G Major | 1 | 9B | 91 BPM | ||
| Lost In The Right Direction | Muriël Bostdorp | B Minor | 0 | 10A | 113 BPM | ||
| Drift - Aisling Brouwer Rework | Richard Luke, Aisling Brouwer | B Minor | 3 | 10A | 140 BPM | ||
| pt. 1 Owl Light | Stephan Moccio | D♭ Major | 5 | 3B | 120 BPM | ||
| Change | Jordane Tumarinson | D Major | 2 | 10B | 140 BPM | ||
| As We Lose Sight of the Place We Once Longed For | A Cerulean State | A♭ Minor | 1 | 1A | 75 BPM | ||
| From All Who Came Before | BPMoore | E♭ Minor | 1 | 2A | 70 BPM | ||
| Hope in the Distance | Richard Luke | A♭ Major | 1 | 4B | 93 BPM | ||
| An Incoherent Meditation On A Fucked Up Year | What After This? | E♭ Major | 1 | 5B | 70 BPM | ||
| The Dreamer | Charles Bolt, Claes Nilsson | C Minor | 0 | 5A | 161 BPM | ||
| Early Dance - Redux Version | Federico Albanese | F Minor | 0 | 4A | 117 BPM | ||
| Love In Falling - Original Score for Betty | Richard Luke, Amira Bedrush-Mcdonald | E♭ Major | 2 | 5B | 80 BPM | ||
| Interlude | ABBOTT, Canea Quartett | G Major | 1 | 9B | 116 BPM | ||
| Afterwards | Jakob Lindhagen | A Minor | 2 | 8A | 85 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| Lilac | Emil Brandqvist | C Major | 0 | 8B | 90 BPM | ||
| At Dawn | Ever So Blue | D Major | 0 | 10B | 116 BPM | ||
| Alone In A Crowd | Thomas E Rouch | G Major | 0 | 9B | 135 BPM | ||
| Coda | Simeon Walker | F Major | 0 | 7B | 144 BPM | ||
| Terminal 4 | Karl Amando | D♭ Major | 1 | 3B | 73 BPM | ||
| Zastój | Trevor Kowalski, Rebekah Heckler | C Major | 4 | 8B | 88 BPM | ||
| Naoko | Lucas Forch | D Major | 1 | 10B | 123 BPM | ||
| Solitude I | Tom Ashbrook | D♭ Major | 1 | 3B | 180 BPM |