On December 31, 1977, the song "Rama Rama Raghurama" was released by P. B. Sreenivas. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in L. Vaidyanathan's "Hemavathi" album is number 2 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Rama Rama Raghurama is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Rama Rama Raghurama by P. B. Sreenivas to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tanuvige Taneya | Ratnamala Prakash | G Major | 7 | 9B | 82 BPM | ||
| Naadamaya | Dr.Rajkumar | B♭ Minor | 6 | 3A | 100 BPM | ||
| Athikkai Kaai | T. M. Soundararajan, P. B. Sreenivas, P. Susheela, Jamuna Rani | G Minor | 4 | 6A | 93 BPM | ||
| Yaava Mohana Murali | Ratnamala Prakash | A♭ Minor | 7 | 1A | 106 BPM | ||
| A Aa E Ee Kannadada | S. Janaki, B.K. Sumitra, R.N. Jayagopal | G Minor | 5 | 6A | 97 BPM | ||
| Kaashiyinda Bandanalli | S. Janaki | B♭ Minor | 5 | 3A | 142 BPM | ||
| Bhadrapada Shuklada | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | F Major | 5 | 7B | 137 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Kodubige Thuppa | Latha Hamsalekha | A Minor | 8 | 8A | 172 BPM | ||
| Seta Gondi Ena Gelathi | Basavarja Narendra, B. R. Chaya | A Major | 7 | 11B | 84 BPM | ||
| Sharavu Mahaganapathi | P. B. Sreenivas | D♭ Major | 4 | 3B | 148 BPM | ||
| Yenu Mahime | Surekha, Shamitha | D Major | 5 | 10B | 100 BPM | ||
| Amma Endare Eno Harushavu | P. B. Sreenivas, H.Krishnamurthy | E♭ Major | 6 | 5B | 78 BPM | ||
| Sathya Sathvika | Surekha, Shamitha | D Minor | 6 | 7A | 82 BPM | ||
| Chikkasaragooru | M. S. Ravigowda, B. Jayashree, Nandita | F Major | 6 | 7B | 110 BPM | ||
| Ninna Kangala Koladhi | Supriya Acharya | G Major | 5 | 9B | 90 BPM | ||
| Nammamma Shaarade | Sri Vidyabhushana | C Major | 4 | 8B | 92 BPM | ||
| Nadedu Barayya | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Dayamade Bhramarambike | Vidyabhushana | C Major | 6 | 8B | 96 BPM | ||
| Guggulava Nodiramma - Studio | Surekha, Shamitha | B♭ Major | 4 | 6B | 98 BPM | ||
| Mogga Moggalli | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | B Minor | 5 | 10A | 81 BPM | ||
| Ee Paapi Janara Haalu | V. Manohar, Badri Prasad, V Nagendra Prasad | A♭ Major | 4 | 4B | 165 BPM | ||
| Bramha Murari (Bilvastaka) | Goturi, Ajay Warriar | F♯ Major | 6 | 2B | 95 BPM | ||
| Naa Donkadarenu Naama | Vidyabhushana | G Major | 7 | 9B | 169 BPM | ||
| Nagunagutha Nali | P. B. Sreenivas | D♭ Minor | 5 | 12A | 142 BPM |