Ricardo Scales, Tony Lindsay's 'All the Way' had a release date set for September 19, 2016. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in All the Way by Ricardo Scales. The popularity of All the Way is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of All the Way by Ricardo Scales, Tony Lindsay is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tanned | Hakan Hancock | E Minor | 5 | 9A | 120 BPM | ||
| Beijos (The Kiss) | Bob Baldwin, Juliano Zanoni, Delia Fischer | G Major | 6 | 9B | 105 BPM | ||
| Pavement Lines | Fifth Bar | G Minor | 7 | 6A | 172 BPM | ||
| Hollow | Jazzy Soul Music | G Major | 4 | 9B | 86 BPM | ||
| En tu frecuencia | Zypheron | G Minor | 7 | 6A | 172 BPM | ||
| Floorplan Rhapsody | Bluestroke | G Minor | 7 | 6A | 172 BPM | ||
| Let's Go Upstairs | Brian Clay | B♭ Major | 2 | 6B | 132 BPM | ||
| Round Bass Reverie | Mellow Mood Station | E Minor | 7 | 9A | 148 BPM | ||
| Daybreak Linen | Veranda Notes | G Minor | 7 | 6A | 172 BPM | ||
| El Peso de lo Invisible | Aurelia Wave | G Minor | 7 | 6A | 172 BPM | ||
| Come Morning | Paul Taylor / Peter White | E♭ Minor | 6 | 2A | 75 BPM | ||
| Still Waters | SVÁNNE | G Minor | 7 | 6A | 172 BPM | ||
| Indigo Nights | AR MoodVibes | E Major | 2 | 12B | 82 BPM | ||
| Mozambique | The Nadela Twins | C Major | 6 | 8B | 140 BPM | ||
| Silencio Luminoso | Aurelia Wave | G Minor | 7 | 6A | 172 BPM | ||
| Figure of Speech | Superflier | G Minor | 7 | 6A | 172 BPM | ||
| Deck Passage | Veranda Notes | G Minor | 7 | 6A | 172 BPM | ||
| Pavilion Chapter74 | Sax Street Jazz | G Minor | 7 | 6A | 172 BPM | ||
| I'll Make Love to You | Ricardo Scales, Bobby Watson, Breno Brown, Garry Jackson, James Levi, Kelvin Gomillion | F♯ Minor | 8 | 11A | 104 BPM | ||
| Paradox | Lavina Schrull | F Minor | 2 | 4A | 177 BPM | ||
| El Amor Aprendió de Nosotros | A Jazz Story | G Minor | 7 | 6A | 172 BPM | ||
| Fragment | Jazzy Soul Music | B♭ Major | 5 | 6B | 142 BPM | ||
| Exterior Palms | Veranda Notes | G Minor | 7 | 6A | 172 BPM | ||
| Warmgrain Session | Aftertone Quartet | G Minor | 7 | 6A | 172 BPM | ||
| Playa del Inglés | Smooth Sunrise, José Côrte-Real | F Major | 7 | 7B | 93 BPM |