Walter Cronkite's ' "1960 Debate on Cuba" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 1960 Debate on Cuba's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Walter Cronkite's "I Can Hear It Now The Sixties" album is number 7 out of 87. 1960 Debate on Cuba is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 1960 Debate on Cuba by Walter Cronkite to be Lento (slowly) because the track has a tempo of 53 BPM, a half-time of 26BPM, and a double-time of 106 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM | ||
| December 25, 1968 | Walter Cronkite | B Major | 5 | 1B | 82 BPM | ||
| Lessons Learned in Moscow 18 | Rabbi Yoel Ferber | A♭ Major | 4 | 4B | 114 BPM | ||
| Glucksey's Birthday Song | Sean William, Gordon C. Gauthier, Scott Hull | B♭ Minor | 2 | 3A | 80 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Introduction | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | C Major | 0 | 8B | 171 BPM | ||
| February 20, 1962 | Walter Cronkite | F Minor | 4 | 4A | 68 BPM | ||
| Civil Rights #1 | John F. Kennedy | B Minor | 5 | 10A | 114 BPM | ||
| The Letter Arrives | Rabbi Yoel Ferber | D Major | 5 | 10B | 111 BPM | ||
| 1960 Debate on Cuba | Walter Cronkite | B Minor | 2 | 10A | 53 BPM | ||
| The Creation Of The Morning Line | Charles Bukowski | E♭ Major | 0 | 5B | 84 BPM | ||
| "Frontier Justice" - From "The Hateful Eight" Soundtrack | Tim Roth, Kurt Russell | D♭ Minor | 3 | 12A | 95 BPM | ||
| The Rising Sun | Richard Burton | A Minor | 1 | 8A | 61 BPM | ||
| Part 2/ IBM 1403 Printer | Jóhann Jóhannsson | D Major | 3 | 10B | 64 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| The Girl In The Limo | David Shire | A♭ Minor | 3 | 1A | 62 BPM | ||
| Medley: Main Title / Prologue | The Warner Bros. Studio Orchestra | F Major | 4 | 7B | 76 BPM | ||
| Bad News | Chris Barrie | F♯ Major | 3 | 2B | 124 BPM | ||
| Alfred Lord Tennyson - The Charge of the Light Brigade | Ghizela Rowe | C Major | 1 | 8B | 107 BPM | ||
| The Dolphins - Score | Joby Talbot | D Major | 2 | 10B | 58 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| Trouble For Charlie - From "The Italian Job" Soundtrack | Quincy Jones | E Major | 2 | 12B | 81 BPM | ||
| How Interested Are We | Phone Losers of America | D♭ Major | 10 | 3B | 134 BPM | ||
| Game Heads | Chris Barrie | A♭ Major | 3 | 4B | 110 BPM | ||
| 2 Peter 1:2-4 | His Words | D♭ Major | 8 | 3B | 81 BPM | ||
| I'm Mean | PAUL L. SMITH | B♭ Major | 6 | 6B | 178 BPM |