Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's ' "Pièces de Viole, Suite No. 1 in A Minor: IX. Petit caprice" was released on its scheduled release date, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's "Marais: Pièces de Viole, Book 5" album is number 9 out of 110. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Pièces de Viole, Suite No. 1 in A Minor: IX. Petit caprice's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Pièces de Viole, Suite No. 1 in A Minor: IX. Petit caprice by Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
| Oh Gottes Stadt, BuxWV 87 | Dietrich Buxtehude, Martin Platz, Wolfgang Katschner, Lautten Compagney | C Minor | 1 | 5A | 106 BPM | ||
| The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
| Couperin, L: Fantaisie pour les Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Libro primo d'intavolatura di lauto: Toccata quinta | Giovanni Girolamo Kapsberger, Rolf Lislevand | B Minor | 2 | 10A | 147 BPM | ||
| Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM | ||
| Le trophée: Gavotte pour les muses et les plaisirs. Gracieusement | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 0 | 7B | 73 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
| Facultad organica: No. 18, Quarto tiento de quarto tono, FO 18 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| Sonatae Violino Solo (1681): Sonata No. 2 in D | Heinrich Ignaz Franz von Biber, John Holloway | D♭ Minor | 3 | 12A | 124 BPM | ||
| Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | ||
| Fantasia, VdGS No. 4 | Thomas Brewer, Ricercar Consort, Philippe Pierlot | B Minor | 1 | 10A | 75 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Concerto for Viola d'amore, Lute, Strings and Basso Continuo in D Minor, RV 540: II. Largo | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | B♭ Minor | 1 | 3A | 137 BPM | ||
| Meslange de musique latine, françoise et italienne: Ariette dans le goût nouveau | Mademoiselle Guesdon de Presles, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | F♯ Minor | 1 | 11A | 37 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
| Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM |