- BPM
- 132
- Key
- G Major
- Camelot
- 9B
Ehi, Fiorello ? by Gioachino Rossini, Riccardo Chailly Song Details
Gioachino Rossini, Riccardo Chailly's 'Ehi, Fiorello ?' had a release date set for 1983. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ehi, Fiorello ?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gioachino Rossini, Riccardo Chailly's "Il Barbiere Di Siviglia" album is number 4 out of 42. Based on our statistics, Ehi, Fiorello ?'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Ehi, Fiorello ? by Gioachino Rossini, Riccardo Chailly to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -18.545 dB
- Acousticness
- 97%
- Danceability
- 49%
- Energy
- 25%
- Instrumentalness
- 1%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 6%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | |
 | La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | |
 | Carmen, Act III, No.24 Finale: Holà! holà! José (Carmen/Escamillo/Don José/Le Dancaïro) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 4 | 7A | 165 BPM | |
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | |
 | Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | |
 | Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" | Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | |
 | Rigoletto, Act III: V'ho ingannato – Lassù... in cielo | Giuseppe Verdi, Dame Joan Sutherland, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 82 BPM | |
 | Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | |
 | La Gioconda / Act 2: Ho! he! ho! he! Fissa il timone! | Amilcare Ponchielli, Sherrill Milnes, Neil Jenkins, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 87 BPM | |
| Rigoletto / Act 3: Scena e Canzona. "E l'ami!" | Giuseppe Verdi, Sherrill Milnes, Dame Joan Sutherland, Luciano Pavarotti, Martti Talvela, London Symphony Orchestra, Richard Bonynge | A Minor | 0 | 8A | 91 BPM | |
 | Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | |
 | Offenbach: Orphée aux enfers, Act 2: Final. "Ne regarde pas en arrière !" (L'Opinion publique, Jupiter, Chœur, Orphée, Eurydice) | Jacques Offenbach, Marc Minkowski, Chœur de l’Opéra de Lyon, Ewa Podles, Laurent Naouri, Natalie Dessay, Yann Beuron, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | A Major | 3 | 11B | 108 BPM | |
 | Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | |
 | Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | |
 | Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Coro) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Trumpeters of the Royal Military School of Music, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 93 BPM | |
 | L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | |
 | Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | |
 | La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | |
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | |
 | Bizet: Carmen, Act 1:"Avec la garde montante, nous arrivons, nous voilà!" (Enfants) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor und Kinderchor der Deutschen Staatsoper Berlin | D Minor | 1 | 7A | 122 BPM | |
 | Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | |
 | Pagliacci / Act 1: "Son qua! Ritornano" - Live | Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti | E♭ Major | 4 | 5B | 122 BPM | |
 | Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records