The Nutcracker, Op. 71, TH 14, Act II Scene 12: Trepak by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras Song Details

Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras's 'The Nutcracker, Op. 71, TH 14, Act II Scene 12: Trepak' had a release date set for November 1, 1986. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Tchaikovsky: The Nutcracker, Op. 71, TH 14 (Complete Ballet Score) [Original Motion Picture Soundtrack]". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, The Nutcracker, Op. 71, TH 14, Act II Scene 12: Trepak is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Nutcracker, Op. 71, TH 14, Act II Scene 12: Trepak by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir Charles Mackerras having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -21.673 dB
Acousticness: 93%
Danceability: 22%
Energy: 12%
Instrumentalness: 88%
Liveness: 22%
Loudness: 64%
Speechiness: 4%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carnival of the Animals: The Swan	Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason	G Major	1	9B	65 BPM
Prélude in E minor, Op. 28, No. 4	Frédéric Chopin, Janusz Olejniczak	E Minor	0	9A	63 BPM
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4	Frédéric Chopin, Arthur Rubinstein	D♭ Major	1	3B	82 BPM
Adagio in E Major, K. 261	Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra	E Major	1	12B	100 BPM
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies	Alexander Glazunov, Slovak Radio Symphony Orchestra	D Major	1	10B	100 BPM
Firebird Suite - 1919 Version	Chicago Symphony Orchestra	B Major	1	1B	80 BPM
Delibes: Sylvia: Act III. Cortège de Bacchus	Léo Delibes, San Francisco Symphony, Michael Tilson Thomas	E Major	4	12B	115 BPM
21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra)	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	G Minor	2	6A	142 BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Radio Edit	Edvard Grieg, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu	A Minor	1	8A	129 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered	Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein	D♭ Major	0	3B	86 BPM
Italian Polka	Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg	E♭ Major	1	5B	103 BPM
Cello Sonata in G Minor, Op. 65: III. Largo	Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel	B♭ Major	0	6B	89 BPM
Pavane for a Dead Princess	Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon	G Major	0	9B	73 BPM
Scènes de ballet, Op. 52: II. Marionnettes	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	D Major	0	10B	69 BPM
Souvenir de Florence, Op. 70: III. Allegretto moderato	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D♭ Major	1	3B	82 BPM
La Bayadere, Act I, Scene 1: 1. “Introduction"	Evergreen Symphony Orchestra, Kevin Galiè	D Major	0	10B	129 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Don Quixote, Act IV: Quiteria's Variation	Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov	A Major	1	11B	102 BPM
Finale: Scene 1 (Onegin Ballet Suite No 9)	Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery	E Minor	3	9A	103 BPM
Overture "Coriolan", Op. 62	Ludwig van Beethoven, Orchestre Lamoureux, Igor Markevitch	C Major	4	8B	128 BPM
The Blue Danube Waltz, Op. 314	Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra	D Major	1	10B	81 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM