"Concerto per corde: I. Adagio doloroso" by Christopher Rouse, Concordia Orchestra, Marin Alsop had its release date on March 22, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rouse: Ku-Ka-Ilimoku, Concerto per corde, Rotae Passionis & Ogoun Badagris". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Concerto per corde: I. Adagio doloroso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto per corde: I. Adagio doloroso by Christopher Rouse, Concordia Orchestra, Marin Alsop having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite Suite (Orchestrated by Glazunov): II. Intermezzo | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | A Major | 4 | 11B | 80 BPM | ||
| Celestial Voyage | Jarko Vento | A♭ Minor | 4 | 1A | 166 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Neeme Järvi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 143 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Ogoun Badagris | Christopher Rouse, Concordia, Marin Alsop | D♭ Major | 5 | 3B | 127 BPM | ||
| The Shrove-Tide Fair | Igor Stravinsky, Robert Groslot, Brussels Philharmonic, Ali Rahbari | C Major | 5 | 8B | 81 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| Crumbling Dreams | Orithia | F Minor | 4 | 4A | 147 BPM | ||
| Montgomery Variations: VI. Lament | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Ephemere Eternite | Sirjan | F Minor | 5 | 4A | 148 BPM | ||
| Walt Whitman Overture, Op. 7, H. 42 | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Stravinsky: Le Chant du rossignol: II. Marche chinoise | Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste | C Major | 1 | 8B | 145 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Adams: Harmonielehre, Pt. II: the Anfortas Wound | John Adams, Edo de Waart, San Francisco Symphony | G Minor | 0 | 6A | 67 BPM | ||
| Billy the Kid: No. 2, Street in a Frontier Town | Aaron Copland, Colorado Symphony, Andrew Litton | A♭ Major | 1 | 4B | 129 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | G Minor | 8 | 6A | 170 BPM | ||
| Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio | Camille Saint-Saëns, Charles Münch, Berj Zamkochian, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM |