Johann Strauss II, Musical Boxes's 'An der schönen blauen Donau, Op. 314' had a release date set for January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Traditional, Musical Boxes's "Musical Box Dances" album is number 5 out of 8. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, An der schönen blauen Donau, Op. 314 is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of An der schönen blauen Donau, Op. 314 by Johann Strauss II, Musical Boxes to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 85 BPM | ||
| The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
| Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
| Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Var. XVIII | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | A Minor | 1 | 8A | 129 BPM | ||
| Slavonic Dances, Op. 46: No. 4, Sousedská | Antonín Dvořák, Orquesta Reino de Aragón, Ricardo Casero | D Major | 0 | 10B | 121 BPM | ||
| Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
| Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
| Cavatina Figaro | Giacomo Rossi, Helmuth Brandenburg | C Major | 3 | 8B | 61 BPM | ||
| Vals del Emperador Op. 437 | Gran Orquesta Vienesa | C Major | 2 | 8B | 68 BPM | ||
| Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
| Marcha Radetzky | George Henkla | A Major | 5 | 11B | 113 BPM | ||
| Verdi: Nabucco, Act 3: Chorus of the Hebrew Slaves. "Va pensiero, sull'ali dorate" | Giuseppe Verdi, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | D♭ Major | 0 | 3B | 75 BPM |