On January 1, 2007, the song "Why We Go to War" was released by Chris Murray. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Slackness". In this album, this song's track order is #12. In terms of popularity, Why We Go to War is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Why We Go to War by Chris Murray having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Malango Ska - Instrumental | Ska Cubano | C Major | 4 | 8B | 130 BPM | ||
| Spleen City | Western Special | C Minor | 7 | 5A | 135 BPM | ||
| Le nozze di Figaro, K. 492, Act III: No. 21, Sull' aria... Che soave zeffiretto "Letter Duet" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
| Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | ||
| Ay Caramba! | Ska Cubano | E Major | 9 | 12B | 146 BPM | ||
| There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM | ||
| Dinosaurs | Chris Murray | G Major | 4 | 9B | 139 BPM | ||
| Frankenstein | Melbourne Ska Orchestra | A♭ Minor | 5 | 1A | 125 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: I. Moderato e semplice | Pyotr Ilyich Tchaikovsky, Heath Quartet | F Major | 2 | 7B | 116 BPM | ||
| Rastaman Reggae | Chris Murray | G Major | 5 | 9B | 134 BPM | ||
| The Organizer | Chris Murray | C Major | 5 | 8B | 142 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 84 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Pavane, Op. 50 (Arr. H. Busser for cello and piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
| Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Blow The Wind Southerly (Arr. Kanneh-Mason for Cello) | Traditional, Sheku Kanneh-Mason | C Major | 0 | 8B | 95 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Steady Beat Convention | Chris Murray | B♭ Major | 5 | 6B | 116 BPM | ||
| Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
| Strongman Sampson | Baba Brooks | C Major | 6 | 8B | 128 BPM |