"H.M.S. Pinafore, Act II: Song. Fair Moon, to Thee I Sing" by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen had its release date on October 25, 1994. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. H.M.S. Pinafore, Act II: Song. Fair Moon, to Thee I Sing's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 19 out of 27. On top of that, United States appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore, Act II: Song. Fair Moon, to Thee I Sing is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of H.M.S. Pinafore, Act II: Song. Fair Moon, to Thee I Sing by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Pour, O Pour the Pirate Sherry | The Pirates Of Penzance | B♭ Major | 5 | 6B | 107 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Baal, we cry to thee" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 1 | 12B | 83 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
| The Pirates of Penzance: When the foeman bares his steel | Arthur Sullivan, Valerie Masterson, Jean Allister, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 121 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 11, Go, in the name of Angels and Archangels (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| 20. When the night wind howls | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey | D Minor | 3 | 7A | 128 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Gloria sit Patri Domino | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 6 | 5B | 132 BPM | ||
| Sheep May Safely Graze | Bach Choir of Pittsburgh | G Major | 0 | 9B | 98 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth" | Felix Mendelssohn, Renée Fleming, Patricia Bardon, John Mark Ainsley, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 0 | 3A | 79 BPM | ||
| Ka | Baksman | G Minor | 3 | 6A | 81 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | B♭ Major | 1 | 6B | 107 BPM | ||
| Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (d) Allegro assai vivace. Alla marcia. "Froh, froh, wie seine Sonnen fliegen" - | Ludwig van Beethoven, Herbert von Karajan, Chor der Gesellschaft der Musikfreunde Wien, Ernst Haefliger, Philharmonia Orchestra | B♭ Major | 4 | 6B | 115 BPM | ||
| 17. Strephon's a member of Parliament | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
| Gounod: Messe solennelle de Sainte Cécile: VII. Agnus Dei | Charles Gounod, Georges Prêtre, Barbara Hendricks, Choeur de Radio France, Laurence Dale, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM |