On July 9, 1998, the song "Bhaiya Ke Bhej Taadi Bahini Sanesh" was released by Anuradha Krishan Rastogi. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 7 out of 10 in Bhaiya Rakhi Bandhwala by Geeta Rani, Anuradha Krishan Rastogi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Bhaiya Ke Bhej Taadi Bahini Sanesh is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhaiya Ke Bhej Taadi Bahini Sanesh by Anuradha Krishan Rastogi is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Sai Tu Meri Fariyad Sun Sai | Hamsar Hayat | F♯ Minor | 4 | 11A | 74 BPM | ||
| Tohra Ke Dekhni Dulhan - Gaari | Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra | F♯ Major | 3 | 2B | 108 BPM | ||
| Koi Nahi Jaane | Madan Rai | F♯ Major | 4 | 2B | 140 BPM | ||
| Uthau Suruj Bhaile Bihaan | Sharda Sinha | D♭ Major | 5 | 3B | 78 BPM | ||
| Ajabe Ajabe | Mamta Chandrakar | F♯ Major | 6 | 2B | 109 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Bhole Biraj Main Aa Gaye Hai | Manish Tiwari | F♯ Minor | 5 | 11A | 85 BPM | ||
| Jaanta Raja | Milind Shinde | E♭ Minor | 7 | 2A | 76 BPM | ||
| Vedi Zali Radha | Suryakant Shinde | A♭ Major | 7 | 4B | 111 BPM | ||
| Jagaun Madh Jot | Narayan Dan Ratanu, Shankar Dan Jesavat | C Minor | 5 | 5A | 160 BPM | ||
| Lad Gai Lad Gai Shyam Naal | Deepa Didi | B Major | 9 | 1B | 136 BPM | ||
| Ohi Re Mayiuaa Mein - Kanyadaan | Anuradha Krishan Rastogi, Ankita Rastogi, Laxvi Rastogi, Kiran Rastogi, Sunita Rastogi | C Major | 4 | 8B | 202 BPM | ||
| Ekvira Aai | Jayshri Shivram | E♭ Minor | 6 | 2A | 85 BPM | ||
| Raja Ji Ke Korawe Me Jawan Hokhe Di | Golu Raja | C Minor | 9 | 5A | 118 BPM | ||
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Soniyachi Ugavali Sakaal | Anand Shinde | C Major | 5 | 8B | 89 BPM | ||
| O Piya Are Are | Subrat Moharana | B Minor | 8 | 10A | 81 BPM | ||
| Darbar Mein Shirdi Wale Ke | Lakhbir Singh Lakkha | F Major | 6 | 7B | 103 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Bheemacha Paksh Paahije | Anand Shinde | F♯ Major | 6 | 2B | 151 BPM | ||
| Kailas ke nivasi | Ayodhyadas Nimavat | D♭ Minor | 5 | 12A | 109 BPM | ||
| Aat Ghatlay Saaman Mi | Anand Shinde, Sulochna Chauhaan | C Minor | 6 | 5A | 144 BPM | ||
| Gur Sunder Mohan Paaye Kare | Bhai Satwinder Singh (Delhi Wale), Bhai Harwinder Singh (Delhi Wale) | F♯ Minor | 9 | 11A | 94 BPM | ||
| Shish Gang Ardhang Parvati | Lakhbir Singh Lakkha | D♭ Major | 8 | 3B | 84 BPM |