SNK SOUND TEAM's 'Midnight Wandering (Stage 2)' had a release date set for August 18, 2016. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in SNK SOUND TEAM's "METAL SLUG 3" album is number 7 out of 28. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Midnight Wandering (Stage 2) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Midnight Wandering (Stage 2) by SNK SOUND TEAM to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Banjo-Tooie: Mr. Patch | Rare All-Stars, Grant Kirkhope | G Minor | 8 | 6A | 170 BPM | ||
| Doom: At Doom's Gate | Nestalgica | D Major | 10 | 10B | 113 BPM | ||
| Crocodile Cacophony | Ben Zimmermann | G Minor | 7 | 6A | 116 BPM | ||
| Resistance | INTI CREATES | D Major | 6 | 10B | 150 BPM | ||
| Matricide (Mom Fight) | Ridiculon | A♭ Minor | 7 | 1A | 160 BPM | ||
| ZERO STAGE 2 | Naoto Tanaka | B♭ Major | 3 | 6B | 140 BPM | ||
| Let's go to Seoul (Kim) | SNK SOUND TEAM | A Minor | 8 | 8A | 124 BPM | ||
| Dracula Castle | Castlevania Sound Team | C Major | 7 | 8B | 136 BPM | ||
| BLIZZARD WOLFANG STAGE | AKEMI KIMURA | G Minor | 9 | 6A | 128 BPM | ||
| Mega Man X3 / Blast Hornet Stage | ROCK-MEN | A♭ Minor | 9 | 1A | 196 BPM | ||
| ELECTRO NAMAZUROS STAGE | Kinuyo Yamashita | F Minor | 10 | 4A | 176 BPM | ||
| Into the Sky (Stage 5-1) | SNK SOUND TEAM | B Minor | 5 | 10A | 151 BPM | ||
| FIRST CONTACT -X- (ボステーマB、ステージ6-2) | SNK SOUND TEAM | D Minor | 8 | 7A | 130 BPM | ||
| Sand Triangle | Tsutomu Kurihara, INTI CREATES | G Major | 9 | 9B | 128 BPM | ||
| FIRST CONTACT (UFO Interior Passage 2) | SNK SOUND TEAM | F Minor | 8 | 4A | 131 BPM | ||
| Orient Express | Vicarious Visions Audio | D♭ Major | 9 | 3B | 160 BPM | ||
| Future Fuckballs 2010 | Sam Beddoes, Screenwave Media Games | F♯ Major | 8 | 2B | 144 BPM | ||
| Tooth & Claw (Original Arcade Soundtrack) | Robin Beanland | G Minor | 5 | 6A | 100 BPM | ||
| Volcanic Rim Stage -Street Fighter Ⅳ- | Hideyuki Fukasawa | E Minor | 10 | 9A | 164 BPM | ||
| Covenant Dance | Halo, Martin O'Donnell, Michael Salvatori | B Minor | 5 | 10A | 192 BPM | ||
| Top Gear: Bordeaux | Barry Leitch | C Minor | 8 | 5A | 171 BPM | ||
| BOSS | AKEMI KIMURA | B Minor | 9 | 10A | 160 BPM | ||
| ACID SEAFORCE STAGE | Kinuyo Yamashita | F♯ Major | 9 | 2B | 208 BPM | ||
| Frank West | 奥河英樹 | F♯ Major | 4 | 2B | 113 BPM | ||
| History of DMC | Hiromitsu Maeba | G Major | 10 | 9B | 93 BPM |