湯山昭, Haruko Ueda's 'なぞなぞ' had a release date set for August 12, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 湯山昭 3大ヒットピアノ曲集, so we believe that "なぞなぞ" is a single. In terms of popularity, なぞなぞ is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of なぞなぞ by 湯山昭, Haruko Ueda is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 前奏曲ト短調 作品23の5(ラフマニノフ) | Sergei Rachmaninoff, Keisuke Toyama | E♭ Major | 1 | 5B | 116 BPM | ||
| April (Snowdrop) | Tchaikovsky, Will Borders | F♯ Minor | 0 | 11A | 95 BPM | ||
| I. Adagio | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Canzonetta, Op. 123 No. 3 | Cécile Chaminade, Anna Miernik | G Minor | 1 | 6A | 71 BPM | ||
| ブルクミュラー25の練習曲: 20. タランテラ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Piano Sonata in G Minor: II. Adagio | Clara Schumann, Gabriela Montero, Alexander Shelley, Canada's National Arts Centre Orchestra | B♭ Major | 0 | 6B | 71 BPM | ||
| 24 Preludes, Op. 11: No. 12 in G-Sharp Minor. Andante | Alexander Scriabin, Mikhail Pletnev | A♭ Minor | 0 | 1A | 66 BPM | ||
| ノクターン第2番 作品9-2 | CANACANA family | B♭ Major | 1 | 6B | 100 BPM | ||
| Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 36, Andante amoroso | Zdeněk Fibich, William Howard | D♭ Major | 0 | 3B | 137 BPM | ||
| プレリュード 変ニ長調 作品28-15「雨だれ」 | Kai Ichinose | D♭ Major | 0 | 3B | 65 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 3, La persuasion | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| 虹をわたる音楽隊 | 湯山昭, 堀江真理子 | C Major | 1 | 8B | 130 BPM | ||
| 波と遊ぶそよ風 | 湯山昭, 堀江真理子 | D♭ Major | 0 | 3B | 108 BPM | ||
| 子供の情景, 作品15: 第7曲 トロイメライ | Robert Schumann, 中野翔太 | F♯ Major | 2 | 2B | 106 BPM | ||
| 3 Mélodies, Op. 5: No. 3 in E-Flat Major, Andante soave | Fanny Mendelssohn, Pierpaola Porqueddu | D Major | 3 | 10B | 141 BPM | ||
| 子供の情景 作品15: トロイメライ(第7曲) | Robert Schumann, Tomoharu Ushida | C Major | 2 | 8B | 118 BPM | ||
| Una Argentina en Paris | Cecilia Foj | D Major | 3 | 10B | 141 BPM | ||
| ジャズ | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| 愛を奏でて<海の上のピアニスト> | 及川浩治 | B♭ Major | 1 | 6B | 70 BPM | ||
| 25 Études faciles et progressives, Op. 100: No. 4, La petite reunion | Friedrich Burgmüller, Carl Petersson | G Major | 1 | 9B | 102 BPM | ||
| ブルクミュラー25の練習曲: 19. アヴェ・マリア | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| イスラメイ (東洋的幻想曲) | Mily Balakirev, Kotaro Fukuma | A Minor | 1 | 8A | 89 BPM | ||
| Kreisleriana, Op. 16: VII. Sehr rasch | Robert Schumann, Alfred Brendel | G Minor | 1 | 6A | 76 BPM | ||
| Get Us a Cab | Kokoro Shimizu | G Minor | 1 | 6A | 113 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM |