Ambroise Thomas, Rise Stevens, James Melton, Wilfrid Pelletier's 'Mignon: Lothario! Wilhelm!... Je suis heureuse!' had a release date set for October 28, 2011. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Mignon: Lothario! Wilhelm!... Je suis heureuse!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Thomas: Mignon (Metropolitan Opera)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Mignon: Lothario! Wilhelm!... Je suis heureuse! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mignon: Lothario! Wilhelm!... Je suis heureuse! by Ambroise Thomas, Rise Stevens, James Melton, Wilfrid Pelletier having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Carmen, WD 31, Act 3: "Quant au douanier" (Carmen, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
| Candide / Act I: Glitter and Be Gay | Leonard Bernstein, Richard Wilbur, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Minor | 2 | 3A | 74 BPM | ||
| Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| Mignon, Acte 2: Récit & Polonaise, "Ah ! Pour Ce Soir. Je Suis Titania La Blonde" (Philine) - Remasterisé en 1993 | Ambroise Thomas, Mady Mesplé - Jean-Pierre Marty - Orchestre Du Theatre National De L'Opera De Paris, Jean-Pierre Marty, Orchestre du Théâtre National de l'Opéra de Paris | B♭ Major | 2 | 6B | 84 BPM | ||
| Rusalka, Op. 114 / Act 3: Mám, zlaté vlásky mám | Antonín Dvořák, Dana Buresova, Livia Aghova, Hana Minutillo, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
| Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
| Tosca, Act II: Vissi d'arte | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
| Le nozze di Figaro, K.492 / Act 1: "La vendetta, oh, la vendetta" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | F Major | 3 | 7B | 172 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Le Caid, Défilé | Ambroise Thomas, Garde Républicaine - Roger Boutry, Roger Boutry | B♭ Major | 7 | 6B | 135 BPM | ||
| Hamlet: Partagez-vous mes fleurs! ... | Ambroise Thomas, Edita Gruberova, Munich Radio Orchestra, Gustav Kuhn, Muenchner Rundfunkorchester | F Major | 0 | 7B | 92 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
| L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
| Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Les Arts Florissants, William Christie, Anne Sofie von Otter | E Major | 1 | 12B | 89 BPM | ||
| Così fan tutte, K. 588 / Act I: "Ah, guarda, sorella" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 167 BPM | ||
| Hamlet / Act 1: Que nos chants montent jusqu'aux cieux! | Ambroise Thomas, James Morris, Barbara Conrad, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E Major | 2 | 12B | 120 BPM | ||
| La bohème, Act I: Si può – Chi è là? | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
| Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
| Tosca, S. 69, Tosca, Act I: Tre sbirri, una carrozza, "Te Deum" | Giacomo Puccini, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Minor | 5 | 5A | 73 BPM | ||
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
| Così fan tutte, K. 588 / Act I: "Come scoglio" | Wolfgang Amadeus Mozart, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 125 BPM |