Studio In A Major, Op. 6 - 12 (S.4) Andante
Fernando Sor, Shin-ichi Fukuda
Shin-Ichi Fukuda Plays 19th Century Guitar
5:17 1987
BPM
82
Key
A Major
Camelot
11B

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Studio In A Major, Op. 6 - 12 (S.4) Andante by Fernando Sor, Shin-ichi Fukuda Song Details

Fernando Sor, Shin-ichi Fukuda's 'Studio In A Major, Op. 6 - 12 (S.4) Andante' had a release date set for 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Shin-Ichi Fukuda Plays 19th Century Guitar". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Studio In A Major, Op. 6 - 12 (S.4) Andante is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Studio In A Major, Op. 6 - 12 (S.4) Andante by Fernando Sor, Shin-ichi Fukuda having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-27.422 dB
Acousticness
99%
Danceability
41%
Energy
4%
Instrumentalness
89%
Liveness
9%
Loudness
54%
Speechiness
3%
Valence
28%

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ISRC
JPCO09466140
Label
L-M Records/RCA Records