Fernando Sor, Shin-ichi Fukuda's 'Studio In A Major, Op. 6 - 12 (S.4) Andante' had a release date set for 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Shin-Ichi Fukuda Plays 19th Century Guitar". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Studio In A Major, Op. 6 - 12 (S.4) Andante is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Studio In A Major, Op. 6 - 12 (S.4) Andante by Fernando Sor, Shin-ichi Fukuda having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Songs of the Hebrides: The Rune of Columcill (Columba of Iona) [arr. P. Galbraith] | Marjorie Kennedy-Fraser, Paul Galbraith | B♭ Major | 2 | 6B | 69 BPM | ||
| 12 Studies, Op. 6: No. 11 in E Major | Fernando Sor, Goran Krivokapić | D Minor | 2 | 7A | 127 BPM | ||
| Quatre Bagatelles en forme de suite cosmique, Marco Smaili. III Monté sur une cométe j´ai vu | Marco Smaili, Laura Verdugo del Rey | C Major | 1 | 8B | 165 BPM | ||
| Embraceable You (Arr. John W Duarte) | Andrew Keeping | D Major | 1 | 10B | 79 BPM | ||
| Die Widmung | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Lecon, Op. 60: No. 22 in E Minor | Fernando Sor, Nicholas Goluses | E Minor | 1 | 9A | 131 BPM | ||
| Studio op.100 n.13 - affettuoso | Mauro Giuliani, Lucio Matarazzo | E Minor | 2 | 9A | 65 BPM | ||
| Recital de Guitarra: Andante de "Sonatina" | Federico Moreno Torroba, Renata Tarragó | D Major | 0 | 10B | 135 BPM | ||
| Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Park Kyuhee | D Major | 1 | 10B | 117 BPM | ||
| Mélodie d'Autrefois | Alexandre Tansman, Kazuhito Yamashita | A Major | 0 | 11B | 144 BPM | ||
| Sweet Smell of Jasmine (Arr. O. Kalampalikis for Guitar) | Manos Hadjidakis, Elena Papandreou | A Minor | 0 | 8A | 67 BPM | ||
| Arroyos de la Alhambra, I. Evocación | José María Huertas | E Minor | 2 | 9A | 97 BPM | ||
| Sonata romantica: IV. Allegro non troppo e serioso | Manuel Ponce, Ana Vidović | A Major | 1 | 11B | 152 BPM | ||
| Preludes & Fantasies: Fantasia No. 1, After Luys Milan | Reginald Smith Brindle, Duilio Meucci | E Minor | 0 | 9A | 110 BPM | ||
| Love Is Here to Stay (Arr. John W Duarte) | Andrew Keeping | D Major | 0 | 10B | 79 BPM | ||
| Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
| 12 Studies, Op. 6: No. 7 in D Major | Fernando Sor, Goran Krivokapić | G Major | 1 | 9B | 145 BPM | ||
| Canarios | Gaspar Sanz, Timo Korhonen | D Major | 1 | 10B | 168 BPM | ||
| El Felipe | Pepe Ferrer, Victor Villadangos | A♭ Minor | 1 | 1A | 172 BPM | ||
| 26 Ricercares: No. 12, Ricercare del duodecimo e ultimo tono per duro | Vincenzo Galilei, John Oeth | E Major | 0 | 12B | 57 BPM | ||
| Fantasia | Celedonio Romero, Pepe Romero | D Major | 1 | 10B | 127 BPM | ||
| Ouverture de la Grotte de Versailles (de Lully) | Robert de Visée, Manuel Barrueco | D Major | 2 | 10B | 121 BPM | ||
| 12の練習曲 / 第1番 ホ短調 | Heitor Villa-Lobos, Kazuhito Yamashita | A Minor | 4 | 8A | 132 BPM | ||
| Cinq Études Faciles Ou Presque Moderato | Simone Iannarelli, Sam Desmet | G Minor | 2 | 6A | 172 BPM | ||
| Caldera: Visión porteña | Pedro Pablo Caldera, Eliot Fisk | B Minor | 4 | 10A | 78 BPM |