Kishore Kumar, Asha Bhosle's ' "Dear Sir Aap Ko" was released on its scheduled release date, July 18, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Begaanaa by Anu Malik, Anjaan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Dear Sir Aap Ko is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Dear Sir Aap Ko by Kishore Kumar, Asha Bhosle is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Hoon Naarangi | Nadeem Shravan, Alka Yagnik | E Major | 7 | 12B | 106 BPM | ||
| Ankhon Ne Mohabbat Mein | Mahendra Kapoor, Laxmikant–Pyarelal | B♭ Major | 5 | 6B | 143 BPM | ||
| Tanhai,Pt. 1 | Nitin Mukesh, Sushma Shrestha | D♭ Major | 1 | 3B | 145 BPM | ||
| Hairaan Dekhkar Ho Khuda | Vipin Sachdeva | G Major | 8 | 9B | 114 BPM | ||
| Commentary And Speech By Dev Anand | Dev Anand, Ameen Sayani | C Major | 4 | 8B | 86 BPM | ||
| Hai Apna Dil To Aawara Film - Solva Saal With Commentry | Hemant Kumar, Ameen Sayani, S. D. Burman | A♭ Major | 1 | 4B | 112 BPM | ||
| Kya Maar Sakegi Maut Use | Manna Dey | E Minor | 9 | 9A | 171 BPM | ||
| Budhi Ghodi Lal Lagaam | Alka Yagnik | E Minor | 8 | 9A | 105 BPM | ||
| Achra Mein Phoolva | Ravindra Jain | B♭ Major | 6 | 6B | 144 BPM | ||
| Sajan Tere Pyar Mein | Asha Bhosle | D Major | 5 | 10B | 82 BPM | ||
| Ek Raja Ek Rani | Mahendra Kapoor, Hemlata, Rekha Rao, Hussain Bloch | A♭ Major | 6 | 4B | 125 BPM | ||
| Naam Aapka Hothon Pe Hai | Rehana | E Major | 5 | 12B | 143 BPM | ||
| Lag Ja Gale Se | Nitin Mukesh, Usha Mangeshkar | E Major | 5 | 12B | 77 BPM | ||
| Aa Mohabbat Ki Basti Basayenge Hum | Lata Mangeshkar, Kishore Kumar | F Minor | 2 | 4A | 92 BPM | ||
| Main Teri Ho Gayi,Tu Mera Ho Gaya | Anuradha Paudwal, Mangal Singh | F♯ Major | 7 | 2B | 124 BPM | ||
| Dear Sir Aap Ko | Kishore Kumar, Asha Bhosle | C Minor | 7 | 5A | 78 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Maine Apna Sanam Tujhe (From "Maa Beti") | Suresh Wadkar, Anuradha Paudwal | G Major | 6 | 9B | 151 BPM | ||
| Man Veena Ke Taar Bole | Brahma Kumaris | F Major | 5 | 7B | 138 BPM | ||
| Jawan Jane Jan | Udit Narayan, Purnima | A♭ Minor | 6 | 1A | 147 BPM | ||
| Kal Se Chhod Dunga Main Sharab | Mithun Chakraborty | F Minor | 7 | 4A | 113 BPM | ||
| Pyar Ke Pehle Kadam Pe | Kishore Kumar, Alka Yagnik | B♭ Minor | 8 | 3A | 112 BPM | ||
| Laila Mar Gayee | Laxmikant–Pyarelal, Anuradha Paudwal | D Major | 8 | 10B | 88 BPM | ||
| Yeh Mausam Suhana | Salma Agha | F♯ Minor | 5 | 11A | 159 BPM | ||
| Thag Harva Re Kahe | Jaspal Singh, Deepmala | F♯ Major | 9 | 2B | 154 BPM |