Pyotr Ilyich Tchaikovsky, Симфонический оркестр РГМЦ's ' "Вальс, "Евгений Онегин"" was released on its scheduled release date, February 9, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Вальс, "Евгений Онегин"" is a single. Вальс, "Евгений Онегин" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Вальс, "Евгений Онегин" by Pyotr Ilyich Tchaikovsky, Симфонический оркестр РГМЦ is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
| 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
| Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance Of The Furies | Christoph Willibald Gluck, Orpheus Chamber Orchestra | D Minor | 4 | 7A | 150 BPM | ||
| Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
| 6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
| Don Quixote, Act I: Quiteria's Variation | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | B Minor | 2 | 10A | 141 BPM | ||
| Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
| Don Quixote: Act I: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B Minor | 1 | 10A | 136 BPM | ||
| Rachmaninov: Symphony No. 3 in A Minor, Op. 44: II. Adagio ma non troppo - Allegro vivace | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | E♭ Minor | 0 | 2A | 117 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | ||
| Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
| Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | B♭ Major | 0 | 6B | 138 BPM | ||
| Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
| Thaïs, Act II: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 172 BPM |