Rattan Mohan Sharma's ' "Hanumad Dhyana Mantra" was released on its scheduled release date, February 17, 2005. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Ram Raksha Stotra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Hanumad Dhyana Mantra is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Hanumad Dhyana Mantra by Rattan Mohan Sharma having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oru Nimisham Enkilum | Amma | F Major | 4 | 7B | 120 BPM | ||
| Ganpati Beej Mantra | Rattan Mohan Sharma | D Major | 6 | 10B | 130 BPM | ||
| Radhe Radhe Mann Bole | Vikram Hazra | C Minor | 4 | 5A | 101 BPM | ||
| Mahishasura Mardini Stotra | Anandmurti Gurumaa | F Major | 7 | 7B | 130 BPM | ||
| Hari Om Tat Sat Namah Shivaya | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 80 BPM | ||
| SHIV TANDAV | Morari Bapu | A♭ Major | 4 | 4B | 46 BPM | ||
| Shree Durga Saptashloki | Jyothsna, Radhika | D♭ Major | 4 | 3B | 86 BPM | ||
| Jay Jay Satchit Swarupa | Prathamesh Laghate | D♭ Major | 3 | 3B | 95 BPM | ||
| Duhswapna Nivaran Mantra | Rekha Bhardwaj, Rattan Mohan Sharma | C Major | 4 | 8B | 83 BPM | ||
| Ratri Sukta - an Ode to the Night | Ved Vrind | D♭ Major | 4 | 3B | 174 BPM | ||
| Vakratunda Mahakaaya Surya Koti Ganesh Mantra | Vishal Khera | B Minor | 4 | 10A | 36 BPM | ||
| Om Namaha Shivaya Shivaya Namaha Om | Rishi Nityapragya | F♯ Minor | 5 | 11A | 170 BPM | ||
| Maha Lakshmi Chalisa | Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar | D♭ Major | 7 | 3B | 133 BPM | ||
| Prabhum Prananatham | Dhyana Raga | D♭ Major | 3 | 3B | 138 BPM | ||
| Shambho Mahadeva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | A♭ Major | 1 | 4B | 110 BPM | ||
| Pradnya Vivardhan Stotra | Shrirang Bhave | F♯ Minor | 6 | 11A | 172 BPM | ||
| Hare Krishna Hare Krishna Meditation | Agam Aggarwal | C Major | 3 | 8B | 128 BPM | ||
| Rudri Path- Adhyay 4 | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 120 BPM | ||
| Supreme Chants | Devaki Pandit | A Major | 3 | 11B | 120 BPM | ||
| Melodious Hare Krishna | Shivram Dasa | G Major | 5 | 9B | 105 BPM | ||
| Om Namo Suryanarayanaya | Namratha - K.Sarada | B Major | 5 | 1B | 112 BPM | ||
| Aarati Keeje | Sri Ganapathy Sachichidananda Swamiji | B♭ Major | 4 | 6B | 174 BPM | ||
| Shree Ganesh Atharvashirsha | Guruji Hemant Bhatawdekar | F♯ Major | 3 | 2B | 133 BPM | ||
| Shiv Raksha Stotram | Vishwajeet Borwankar | C Major | 3 | 8B | 75 BPM | ||
| Kubera mantra - Om yakshaya kuberaya mantra | Amratansh agrawal | B Major | 2 | 1B | 93 BPM |