L. Subramaniam, Alla Rakha's 'Pallavi and Tabla Solo' had a release date set for January 1, 1993. This song appears to be safe for all ages as it is not explicit. The track order of this song in Alla Rakha's "India's Master Musicians" album is number 2 out of 3. In terms of popularity, Pallavi and Tabla Solo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pallavi and Tabla Solo by L. Subramaniam, Alla Rakha to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Bhairavi Thumri: Alap | Nikhil Banerjee | D Major | 2 | 10B | 134 BPM | ||
| The Pupil and His Master: Rag Bilawal | Vilayat Khan | D♭ Major | 7 | 3B | 115 BPM | ||
| Maayaaroopa Paatumaam - Raga Kashyapi | Sri Ganapathy Sachchidananda Swamiji, L. Subramaniam | B♭ Major | 3 | 6B | 106 BPM | ||
| Raga Kirvani - Alap | Ram Narayan, Suresh Talwalkar, François Auboux | F Minor | 1 | 4A | 142 BPM | ||
| Cells 14-16 | Terry Riley, Brooklyn Raga Massive | G Major | 7 | 9B | 109 BPM | ||
| Dwani (Okinawa) Reflective Flute | Sounds of Isha | D Major | 0 | 10B | 135 BPM | ||
| Ragaragini Devi Mangalam - Raga Saama | Sri Ganapathy Sachchidananda Swamiji, L. Subramaniam | D Major | 8 | 10B | 80 BPM | ||
| Apna Street | L. Subramaniam | C Major | 4 | 8B | 127 BPM | ||
| Hemavathi / Tanam | L. Subramaniam | D Minor | 7 | 7A | 94 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Garuda | Linda Shanovitch, Baluji Shrivastav, Chris Conway, Hossam Ramzy | D Minor | 3 | 7A | 123 BPM | ||
| The Last Poem | Bickram Ghosh | B♭ Minor | 0 | 3A | 83 BPM | ||
| Tal Pravh and Laggi | Anindo Chatterjee | F♯ Minor | 7 | 11A | 142 BPM | ||
| Raga Aberi Track 03 | L. Shankar | B♭ Minor | 6 | 3A | 88 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM | ||
| Heartful | G.S. Sachdev | B♭ Major | 0 | 6B | 88 BPM | ||
| The Gentle Around - Original Mix | Kaustav Majumder | E♭ Major | 4 | 5B | 82 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | F Major | 0 | 7B | 67 BPM | ||
| Idhi Samayamura | L. Vaidyanathan, L. Subramaniam, L. Shankar | A Major | 5 | 11B | 95 BPM | ||
| Messenger | Alam Khan, Del Sol Quartet | C Minor | 2 | 5A | 170 BPM | ||
| Oriental Expression | Chinmaya Dunster, Prem Joshua, Ravi, Pramada Mike Edwards | F Minor | 7 | 4A | 112 BPM | ||
| Meditation Ragas | Hamnawa | G Major | 1 | 9B | 75 BPM | ||
| Tala Vadya (Rupakam Tala) [feat. Palghat Mani Iyer] | L. Subramaniam, Palghat Mani Iyer | F Minor | 7 | 4A | 87 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM |