On January 9, 1923, the song "Daddy's Girl" was released by Lee Morse. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Daddy's Girl's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 32 in A Picture On The Wall by Lee Morse. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Daddy's Girl is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Daddy's Girl by Lee Morse is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Me or Leave Me | Ruth Etting | E♭ Major | 4 | 5B | 106 BPM | ||
| Give It to Him | Victoria Spivey | E♭ Major | 4 | 5B | 106 BPM | ||
| 'leven Thirty Saturday Night | Bert Ambrose Orchestra, Jess Kirkpatrick, Bill Grantham, Earl Burtnett | E♭ Major | 3 | 5B | 111 BPM | ||
| Just a Little Lovin' | Dolly Dawn, The Manhattan Nighthawks | D♭ Major | 3 | 3B | 115 BPM | ||
| Powder Your Face With Sunshine | Evelyn Knight, The Stardusters | F Major | 3 | 7B | 200 BPM | ||
| Seems Like Old Times | Vaughn Monroe | B Minor | 2 | 10A | 115 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Everybody Wants a Key to My Cellar | Bert Williams | F♯ Major | 2 | 2B | 91 BPM | ||
| Alone with My Dreams | Jack Buchanan | G Major | 2 | 9B | 127 BPM | ||
| Button Up Your Overcoat | Helen Kane | B♭ Major | 1 | 6B | 105 BPM | ||
| The Music Goes 'round and Around | Henry Hall, The BBC Dance Orchestra | E♭ Major | 4 | 5B | 106 BPM | ||
| The House Is Haunted | Russ Columbo | E♭ Minor | 2 | 2A | 82 BPM | ||
| I Want to Be Bad - Alternate Version | Helen Kane | E♭ Major | 4 | 5B | 106 BPM | ||
| I've Looked All Over For A Boy Like You | Lee Morse | D♭ Major | 1 | 3B | 107 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Baby Won't You Please Come Home? | Eva Taylor | F Major | 2 | 7B | 116 BPM | ||
| Makin' Whoopee | Eddie Cantor | G Major | 2 | 9B | 118 BPM | ||
| To Be Forgotten | Lee Morse | E♭ Major | 4 | 5B | 106 BPM | ||
| And I Still Do | Ina Ray Hutton and Her Melodears | F Major | 4 | 7B | 211 BPM | ||
| I'm Tired of Waiting for You | Will Bradley & His Orchestra, Ray McKinley, Lynn Gardner | A♭ Major | 3 | 4B | 137 BPM | ||
| The Parlor Is a Pleasant Place to Sit on Sunday Night | Frank Crumit | B♭ Major | 1 | 6B | 105 BPM | ||
| He's Funny That Way (early 04-46) | Benny Carter | A Minor | 1 | 8A | 76 BPM | ||
| Poor Papa (Recorded February 1926) | Dolly Kay | C Major | 1 | 8B | 134 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | E♭ Major | 4 | 5B | 106 BPM | ||
| What'cha Gonna Do When There Ain't No Jazz? (Recorded May 1920) | Esther Walker | F Major | 1 | 7B | 128 BPM |