Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano's ' "Puccini: La bohème, Act 4: "In un coupé?....Con pariglia e livree" (Marcello/Rodolfo)" was released on its scheduled release date, 1958. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 6 out of 26. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Puccini: La bohème, Act 4: "In un coupé?....Con pariglia e livree" (Marcello/Rodolfo) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Puccini: La bohème, Act 4: "In un coupé?....Con pariglia e livree" (Marcello/Rodolfo) by Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verdi: La forza del destino, Act 2: "Padre eterno Signor" (Don Carlo di Vargas, Coro, Un Alcade, Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Giorgio Zancanaro, Mirella Freni, Silvestro Sammaritano, Orchestra Del Teatro Alla Scala, Milano | F Major | 4 | 7B | 143 BPM | ||
| L'elisir d'amore / Act 2: "Prendi; per me sei libero" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 67 BPM | ||
| Nabucco / Act II: S'appresan gl'istanti | Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Yevgeny Nesterenko, Lucia Popp, Volker Horn, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | B♭ Major | 1 | 6B | 171 BPM | ||
| L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
| Tosca, Atto I: "Mario!" - "Son qui!" | Giacomo Puccini, Roberto Alagna, Aleksandra Kurzak, Riccardo Frizza, Orkiestra Sinfonia Varsovia | A♭ Major | 1 | 4B | 73 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | ||
| Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? | Giacomo Puccini, Leo Nucci, Colin Cue, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musi | D Major | 0 | 10B | 81 BPM | ||
| Spontini: La vestale, Act 2: "O Nume tutelar" (Giulia) | Gaspare Spontini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 172 BPM | ||
| La traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | C Major | 3 | 8B | 117 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| La bohème, Act IV: C'è Mimì... | Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 77 BPM | ||
| Tosca, Act I: Tre sbirri, una carrozza, presto – | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Bellini: Norma, Act 1: "Me protegge, me difende" (Pollione) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Franco Corelli | E♭ Major | 3 | 5B | 74 BPM | ||
| L'elisir d'amore / Act 2: "Dell'elisir mirabile" - "E bellissima" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Dame Joan Sutherland, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Minor | 2 | 5A | 92 BPM | ||
| Rigoletto / Act 1: Duetto. "Quel vecchio maledivami!" (Rigoletto, Sparafucile) | Giuseppe Verdi, Vladimir Chernov, Roberto Scandiuzzi, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Minor | 1 | 4A | 68 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
| Rigoletto / Act 3: E l'ami? / Sempre | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | A Minor | 0 | 8A | 158 BPM | ||
| Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 115 BPM | ||
| Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
| La Sonnambula: Compagne, temiri amici ....Come per me sereno | Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Maria Callas | E♭ Major | 1 | 5B | 170 BPM | ||
| Tosca: Act I: Ah, quegli occhi! … (Tosca, Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
| La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM | ||
| Suor Angelica: Sorella, o buona sorella | Giacomo Puccini, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 81 BPM | ||
| Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano" | Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 2 | 3B | 90 BPM | ||
| Puccini: Madama Butterfly, Act 2: "C'è. Entrate" (Goro, Sharpless, Butterfly) | Giacomo Puccini, Sir John Barbirolli, Piero de Palma, Renata Scotto, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 1 | 12B | 165 BPM |