Patrick Brooks, Ground to Dust's ' "First Wave" was released on its scheduled release date, January 17, 2015. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. First Wave's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Outpost 86 (Official Soundtrack): Seasons 1 & 2". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, First Wave's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With First Wave by Patrick Brooks, Ground to Dust having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three Horns Divide Ambience - Original OST Extended | Sascha Dikiciyan, Cris Velasco | D Major | 1 | 10B | 82 BPM | ||
| Grey Skies | Patrick Brooks, Ground to Dust | E Minor | 5 | 9A | 146 BPM | ||
| Jungle Preparation I | Hyperduck Soundworks | F Major | 5 | 7B | 90 BPM | ||
| Extincion | Falsas Alarmas | A♭ Major | 1 | 4B | 80 BPM | ||
| Power | Gareth Coker | E Minor | 7 | 9A | 135 BPM | ||
| Dark Dystopian Ambient | Rafael Krux | D♭ Major | 3 | 3B | 89 BPM | ||
| Smoke Fills the Room | Critical Role, Colm R. McGuinness | F Major | 4 | 7B | 130 BPM | ||
| Brothers Dead, Only Kahl | Keith Power, Digital Extremes Ltd., Matthew Chalmers | B Major | 9 | 1B | 180 BPM | ||
| No Time Left For Us | oversyncing, Akmigone | F Minor | 1 | 4A | 81 BPM | ||
| The Meeting | Ólafur Arnalds | D Minor | 1 | 7A | 63 BPM | ||
| Traversing Planes | Lorne Balfe | G Major | 4 | 9B | 120 BPM | ||
| Deceptive Metropolis | The Enigma Tng | D♭ Major | 4 | 3B | 192 BPM | ||
| Somewhere Out There in All That Noise | Son Lux | F Minor | 2 | 4A | 91 BPM | ||
| Action Preparation | Jason Donnelly | B♭ Minor | 7 | 3A | 140 BPM | ||
| Over the Edge | Hampus Naeselius | D Major | 7 | 10B | 150 BPM | ||
| Fevered Dread | Halo, Gordy Haab, Brian Trifon, Brian Lee White | D♭ Major | 6 | 3B | 124 BPM | ||
| Shadow | Avery Alexander | F Major | 1 | 7B | 148 BPM | ||
| En Contra | Caos Ancestral | F Minor | 1 | 4A | 170 BPM | ||
| Let It Run Wild | Brandon Roberts | D Major | 9 | 10B | 130 BPM | ||
| Sonogram | Atli Örvarsson | F Minor | 3 | 4A | 110 BPM | ||
| Fury of the Northmen | Sarah Schachner, Assassin's Creed | A♭ Major | 7 | 4B | 105 BPM | ||
| Descent | Patrick Brooks, Ground to Dust | D♭ Minor | 3 | 12A | 90 BPM | ||
| DeFalco’s Theme | Jack Wall | F♯ Minor | 1 | 11A | 132 BPM | ||
| A Mission | The Algorithm | D Major | 1 | 10B | 128 BPM | ||
| I'm No Different Than You | Mike Zarin, Tony Hajjar | D Major | 2 | 10B | 125 BPM |