Bhakta Raj Acharya's ' "Rahenachha Mero Kehi" was released on its scheduled release date, March 31, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Samarpan Bhajan-1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Norway. Based on our statistics, Rahenachha Mero Kehi's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rahenachha Mero Kehi by Bhakta Raj Acharya having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kisi Ki Yaad Kou Seeney | Abida Parveen | F♯ Minor | 3 | 11A | 98 BPM | ||
| Eauta Tara | Natikaji | F Major | 3 | 7B | 147 BPM | ||
| Bhebe Dekh Mon | Anuradha Paudwal | A♭ Minor | 1 | 1A | 150 BPM | ||
| Parkhi Base | Shubha Shambhujeet, Narayan Gopal | B♭ Minor | 4 | 3A | 111 BPM | ||
| Log Kiya Kiya Kaha Nahein Karte | Ghulam Ali | E♭ Major | 4 | 5B | 137 BPM | ||
| Hamari Nathuniya Ke Nagawa | Asha Bhosle | G Major | 8 | 9B | 104 BPM | ||
| Tomader Ashirbade | Mohd. Rafi | A♭ Major | 7 | 4B | 142 BPM | ||
| Manchheko Basti | Karna Das | B Minor | 7 | 10A | 80 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| Marna Baru Garho Hunna | Phatteman | C Major | 4 | 8B | 133 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Mero Sadhana | Bhakta Raj Acharya | C Major | 4 | 8B | 120 BPM | ||
| Sharadi Rani Tomar | Bhupen Hazarika | D♭ Minor | 6 | 12A | 79 BPM | ||
| London Jabo Haowai Garite | Bhupen Hazarika | D♭ Minor | 3 | 12A | 81 BPM | ||
| Timi Jun Raharle | Dibya Khaling, Narayan Gopal | A♭ Major | 3 | 4B | 139 BPM | ||
| Prabhu Aise Hriday Mein | Madan Gopal | E♭ Minor | 5 | 2A | 150 BPM | ||
| Aji Bramhoputra Holo Barniman | Bhupen Hazarika | B Major | 5 | 1B | 89 BPM | ||
| Kina Kina Hijo Aaja | Suresh kumar | G Major | 3 | 9B | 164 BPM | ||
| Surer Guru Sree Anukul | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Ranjish hi Sahi Dil hi Dukhane | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Maya Meri Sanjha | Bhakta Raj Acharya | F Major | 5 | 7B | 73 BPM | ||
| Suwadai Muwe Mal Pani | H.R. Jothipala | G Major | 7 | 9B | 101 BPM | ||
| Shunya E Buke Pakhi Mor | Akhil Bandhu Ghosh | E♭ Minor | 1 | 2A | 146 BPM | ||
| Ma Pyar Bechidinchhu | Asha Bhosle | A Major | 7 | 11B | 165 BPM | ||
| Kasari Ma Bhule | Madhu chhetri, Narayan Gopal | G Major | 5 | 9B | 137 BPM |