George Yanagi's ' "CROSS-EYED WOMAN" was released on its scheduled release date, 1983. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of VACANCY by George Yanagi. The song's track number on the album is #9 out of 10 tracks. Based on our data, Japan was the country where this track was produced or recorded. In terms of popularity, CROSS-EYED WOMAN is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since CROSS-EYED WOMAN by George Yanagi has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With CROSS-EYED WOMAN being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 星空の南十字星(サザンクロス) (2002 Digital Remaster) | George Yanagi | D♭ Minor | 7 | 12A | 122 BPM | ||
| いっぱいキスしよう - Single Version | Kumiko Yamashita | F Major | 8 | 7B | 91 BPM | ||
| Missing | Toshinobu Kubota | G Major | 2 | 9B | 134 BPM | ||
| TOKIO | Kenji Sawada | D Major | 6 | 10B | 145 BPM | ||
| もうひとつの土曜日(single / 1985) | Shogo Hamada | E♭ Major | 1 | 5B | 140 BPM | ||
| 流れる雲を追いかけて | サザンオールスターズ | C Major | 4 | 8B | 74 BPM | ||
| 恋のかけら | Downtown Boogie Woogie Band | C Major | 4 | 8B | 181 BPM | ||
| あの唄はもう唄わないのですか シングル・バージョン | Kaze | D Major | 3 | 10B | 132 BPM | ||
| 哀愁トゥナイト | Masahiro Kuwana | D Major | 9 | 10B | 131 BPM | ||
| FENCEの向うのアメリカ | George Yanagi And Rainywood | F Major | 5 | 7B | 123 BPM | ||
| 伝わりますか | ASKA | E Major | 5 | 12B | 79 BPM | ||
| キャンディ | Shinji Harada | A Minor | 3 | 8A | 130 BPM | ||
| 博多っ子純情 | TULIP | E Minor | 4 | 9A | 126 BPM | ||
| EVERY HIGHWAY LEADS TO YOU | George Yanagi | C Major | 3 | 8B | 62 BPM | ||
| セカンド・ラブ | Takao Kisugi | D Minor | 4 | 7A | 125 BPM | ||
| Ya Ya(あの時代を忘れない) | サザンオールスターズ | G Major | 5 | 9B | 102 BPM | ||
| おだやかな構図 | Takao Kisugi | B♭ Major | 3 | 6B | 90 BPM | ||
| 栞(しおり)のテーマ | サザンオールスターズ | C Major | 7 | 8B | 94 BPM | ||
| タイムマシーン | Fumiya Fujii | A♭ Major | 8 | 4B | 118 BPM | ||
| 危険なふたり | Kenji Sawada | E Major | 7 | 12B | 146 BPM | ||
| テネシー・ワルツ (feat. 柳ジョージ) - 2025 Remaster | アルバトロス, George Yanagi | E Major | 7 | 12B | 174 BPM | ||
| 愛を米て | Kome Kome Club | C Minor | 6 | 5A | 172 BPM | ||
| 次の夢 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| 朝焼けが消える前に | Seri Ishikawa | F♯ Minor | 5 | 11A | 100 BPM | ||
| モノクローム・ヴィーナス | Satoshi Ikeda | C Minor | 5 | 5A | 76 BPM |