Berta Rojas, Camerata Bariloche's 'Palomita Blanca' had a release date set for May 14, 2015. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Berta Rojas, Camerata Bariloche's "Historia del Tango" album is number 12 out of 12. On top of that, United States appears to be the country where this track was created. Palomita Blanca is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Palomita Blanca by Berta Rojas, Camerata Bariloche to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La ballade des dames du temps jadis | Roland Dyens | D Major | 0 | 10B | 61 BPM | ||
| Rasguido Doble | Jorge Cardoso | A Minor | 1 | 8A | 111 BPM | ||
| Suite Colombiana No. 2: III. Bambuco | Gentil Montaña, José Antonio Escobar | E Minor | 1 | 9A | 171 BPM | ||
| Fiesta Finale (From "Fiesta Americana") | Berta Rojas | E Major | 2 | 12B | 84 BPM | ||
| Castillos de España II: No. 3, Alcaniz | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 141 BPM | ||
| Preludios Epigramáticos: No. 4, Rié, que todo rié. que todo es madre lev | Leo Brouwer, Gerard Cousins | A Major | 1 | 11B | 76 BPM | ||
| Syracuse | Roland Dyens | F♯ Major | 0 | 2B | 67 BPM | ||
| Imagina (Valsa Sentimental) | Daniel Murray | D Major | 0 | 10B | 176 BPM | ||
| A la memoria de Astor (Arr. R. Aussel for Guitar) | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Preludio BWV 1007 | J. S. Bach, Anabel Montesinos | D Major | 1 | 10B | 145 BPM | ||
| Julia Florida | Agustín Barrios Mangoré, Celil Refik Kaya | D Major | 2 | 10B | 96 BPM | ||
| Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
| El Día Que Me Quieras | Victor Villadangos | D Major | 0 | 10B | 80 BPM | ||
| Milonga del 71 | Victor Villadangos | A Major | 2 | 11B | 92 BPM | ||
| Aconquija | Berta Rojas | D Major | 1 | 10B | 80 BPM | ||
| España, Op. 165: No. 2, Tango (Transcr. for Guitar by Andrés Segovia) - Live at the Fundación Juan March | Isaac Albéniz, Ricardo Gallén | D Major | 0 | 10B | 96 BPM | ||
| Cavatina | NADiA KOSSINSKAJA | A Major | 1 | 11B | 130 BPM | ||
| Suite del recuerdo: Chacarera | Jose Luis Merlin, Jason Vieaux | E Minor | 2 | 9A | 113 BPM | ||
| ファンダンギーリョ 作品36 | Joaquín Turina, Kazuhito Yamashita | A Major | 3 | 11B | 86 BPM | ||
| 楊雪霏 | Xuefei Yang | E Major | 1 | 12B | 179 BPM | ||
| Sassetta | Ahmed El-Salamouny | G Major | 4 | 9B | 80 BPM | ||
| Preludio, Op. 5: I. Preludio in G Minor | Agustín Barrios Mangoré, Marco Caiazza | G Minor | 2 | 6A | 83 BPM | ||
| Libero | Pablo Briceño, Sam Desmet | B Minor | 2 | 10A | 144 BPM | ||
| Valseado - 3 Microtangos | Quique Sinesi | E Minor | 1 | 9A | 120 BPM | ||
| Sor : Study No.5 | Fernando Sor, John Fulford Music | E Minor | 2 | 9A | 132 BPM |