Takayuki Inoue's ' "いま一度" was released on its scheduled release date, December 21, 1977. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. いま一度's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 10 in DON'T DRINK THE WATER (WATER MIND 2) [2017 Remaster] by Takayuki Inoue. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, いま一度's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of いま一度 by Takayuki Inoue is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 返事はいらない | Yumi Arai | B Minor | 6 | 10A | 131 BPM | ||
| ゴールドラッシュ - Remastered 2022 | Eikichi Yazawa | F Major | 7 | 7B | 138 BPM | ||
| ウィンド&レイニーデイ | Monta & Brothers | C Minor | 7 | 5A | 152 BPM | ||
| 風は知らない | ザ・タイガース | F Major | 3 | 7B | 107 BPM | ||
| 沖縄ベイ・ブルース | Downtown Boogie Woogie Band | G Major | 7 | 9B | 119 BPM | ||
| 大阪ビッグ・リバー・ブルース (Album Mix) | Yukadan | B Minor | 4 | 10A | 81 BPM | ||
| 兄貴のブギ | Kenichi Hagiwara | A Major | 9 | 11B | 92 BPM | ||
| アビーロードの街 | Kaguyahime | A Minor | 4 | 8A | 126 BPM | ||
| ビートでジャンプ | Motoharu Sano | D Major | 8 | 10B | 146 BPM | ||
| SPINNING TOE-HOLD | Kazuo Takeda, Creation | A Major | 7 | 11B | 110 BPM | ||
| 常夜灯 | Yoshitaka Minami | B♭ Major | 3 | 6B | 108 BPM | ||
| あの頃、マリー・ローランサン | Kazuhiko Kato | G Major | 3 | 9B | 102 BPM | ||
| 横浜ホンキー・トンク・ブルース | Yoshio Harada | C Major | 4 | 8B | 97 BPM | ||
| 風になりたい | Yuko Kawamura | E Minor | 2 | 9A | 130 BPM | ||
| 紙風船 | 赤い鳥 | D Major | 4 | 10B | 130 BPM | ||
| 100ワットの恋人 | Shigeru Suzuki | F Major | 9 | 7B | 90 BPM | ||
| バイバイもうさよならさ | Kazuo Zaitsu | B Minor | 5 | 10A | 131 BPM | ||
| 無風狀態 | はっぴいえんど, α | F♯ Major | 5 | 2B | 119 BPM | ||
| やつらの足音のバラード | ちのはじめ | E Major | 3 | 12B | 102 BPM | ||
| パシフィック・ブルー | Tatsuhiko Yamamoto, クロス・ビート | B Major | 3 | 1B | 73 BPM | ||
| 淋しい街から | A.R.B. | B Minor | 6 | 10A | 145 BPM | ||
| おやすみ もうすぐ逢える | HIS | A Minor | 3 | 8A | 115 BPM | ||
| はあどぼいるど町 | ティン・パン・アレー | A Major | 6 | 11B | 139 BPM | ||
| 桜子 | Kenichi Hagiwara | F Major | 4 | 7B | 70 BPM | ||
| おいらぎゃんぐだぞ | Yoshitaka Minami | F Major | 3 | 7B | 115 BPM |