"The Holy Boy" by John Ireland, David Garforth, English Chamber Orchestra had its release date on July 1, 1985. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. The Holy Boy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Garforth, English Chamber Orchestra's "Ireland: A Downland Suite & Other Works - Bridge: Suite for String Orchestra" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. The Holy Boy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Holy Boy by John Ireland, David Garforth, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Vespers, Op. 37: Rejoice, O Virgin | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | F Major | 1 | 7B | 140 BPM | ||
| Satyricon: Satyricon | John Ireland, Sinfonia Of London, John Wilson | C Minor | 2 | 5A | 138 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 124 BPM | ||
| Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM | ||
| Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
| Rachmaninov: Vespers, Op. 37: No. 6, Bogoroditse Devo | Sergei Rachmaninoff, Edward Higginbottom, Choir of New College, Oxford | F Major | 1 | 7B | 121 BPM | ||
| Lady Radnor's Suite: V. Slow Minuet | Hurbert Parry, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 85 BPM | ||
| Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
| Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
| Greater Love Hath No Man | John Ireland, St. Paul's Cathedral Choir, Simon Johnson, Andrew Carwood | D Major | 2 | 10B | 70 BPM | ||
| Villanella | John Ireland, Mark Bebbington | G Major | 0 | 9B | 128 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| Sing Praise to Our Creator | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Vespers, Op. 37: Now let Thy Servant Depart | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | B Minor | 1 | 10A | 136 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Brahms / Arr Higginbottom : Geistliches Lied Op.30 | Johannes Brahms, Edward Higginbottom | E♭ Major | 1 | 5B | 67 BPM |