"Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variations I - VI" by Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra had its release date on 2004. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Rachmaninov : Rhapsody on a Theme of Paganini". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variations I - VI is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variations I - VI by Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grieg: Suite No. 2 from Peer Gynt, Op. 55: III. Peer Gynt's Homecoming | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 0 | 4B | 178 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 116 BPM | ||
| Sibelius: Symphony No. 3, Op. 52: I. Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 127 BPM | ||
| Liszt: Liebesträume, S. 541: No. 3 in A-Flat Major (Poco allegro con affetto) | Franz Liszt, Kun-Woo Paik | A♭ Major | 0 | 4B | 74 BPM | ||
| Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 1 | 2B | 170 BPM | ||
| 3 Movements from Petrushka, K12: I. Danse russe | Igor Stravinsky, Maurizio Pollini | C Major | 3 | 8B | 118 BPM | ||
| Etudes-Tableaux, Op. 33, No. 4 in D Minor | Hélène Grimaud | D Minor | 2 | 7A | 94 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Theme From "Schindler's List"/Prelude In C-Sharp Minor/Hatikva | John Williams, Sergei Rachmaninoff, The Traditional, John Bayless | D♭ Minor | 1 | 12A | 96 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 0 | 8B | 112 BPM | ||
| Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | ||
| Piano Concerto No. 2 In F Minor, Op. 21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
| 2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | F Major | 1 | 7B | 75 BPM | ||
| Souvenir de Florence, Op. 70: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
| Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 81 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F Major | 2 | 7B | 81 BPM | ||
| Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Minor | 0 | 9A | 68 BPM | ||
| Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 173 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM |