Gottlieb Muffat, Mitzi Meyerson's 'Suite No. 3 in D Major, R. 101-108: I. Fantaisie, R. 101' had a release date set for January 1, 2009. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 9 out of 51. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Suite No. 3 in D Major, R. 101-108: I. Fantaisie, R. 101 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 3 in D Major, R. 101-108: I. Fantaisie, R. 101 by Gottlieb Muffat, Mitzi Meyerson to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Bach, CPE: Flute Sonata in G Minor: II. Adagio (Formerly Attributed to JS Bach as BWV 1020) | Carl Philipp Emanuel Bach, Aurèle Nicolet, Karl Richter | E♭ Major | 0 | 5B | 75 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Partita B9 in F Major: VII. Menuet II, Trio, Menuet II | Gottlieb Muffat, Roberto Loreggian | D Minor | 4 | 7A | 96 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 1, No. 3: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 101 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Pièces de Clavecin in G minor: 9. Gigue de Lully | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
| Concerto grosso No. 5 in D Minor: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
| Trio sonata in B-Flat Major, Wq. 161/2: I. Allegro | Carl Philipp Emanuel Bach, Café Zimmermann | D♭ Minor | 3 | 12A | 106 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| As Pants the Hart, HWV 251b: I. Sonata. Larghetto - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | A Major | 5 | 11B | 105 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| 12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Missa "Trinitas in unitate veneranda", WerW B.1 (III/14): I. Kyrie Eleison | Gregor Joseph Werner, Magdalene Harer, Alex Potter, Hans-Jörg Mammel, Anton Haupt, La Festa Musicale, Anne Marie Harer | E♭ Major | 0 | 5B | 75 BPM | ||
| Flute Sonata in G Major, Op. 1/5, HWV 363b: II. Allegro | George Frideric Handel, Lisa Beznosiuk, Paul Nicholson, Richard Tunnicliffe | F♯ Major | 1 | 2B | 129 BPM | ||
| Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
| Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
| Viola da Gamba Suite in D Major: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 87 BPM | ||
| Scarlatti, A: Sonata for Recorder and Strings No. 2 in A Minor: I. Allegro | Alessandro Scarlatti, Fabio Biondi, Europa Galante, Petr Zejfart | A♭ Minor | 1 | 1A | 92 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 21 in B flat major, BWV 866 | Luc Beauséjour | E Major | 3 | 12B | 125 BPM |