"The Merchant of Venice Suite: No. 1 Introduction" by Arthur Sullivan, Emmanuel Lawler, RTE Concert Orchestra, Andrew Penny had its release date on October 7, 1992. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Merchant of Venice Suite: No. 1 Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sullivan: Merchant of Venice / Henry Viii / Sapphire Necklace". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Merchant of Venice Suite: No. 1 Introduction's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Merchant of Venice Suite: No. 1 Introduction by Arthur Sullivan, Emmanuel Lawler, RTE Concert Orchestra, Andrew Penny having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Gregory Bonfatti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 1 | 3B | 52 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | ||
| Careless With the Truth | Debbie Gravitte | B♭ Major | 1 | 6B | 105 BPM | ||
| The Yeomen of the Guard / Act 1: "And so, good fellow" - "I've jibe and joke" | Arthur Sullivan, Robert Lloyd, Thomas Allen, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 98 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Porter: Seven Lively Arts: "Drink" | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | C Major | 4 | 8B | 142 BPM | ||
| H.M.S. Pinafore, Act I: Sir, You Are Sad | Gilbert & Sullivan Society of Houston | C Major | 1 | 8B | 174 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Pour, O Pour the Pirate Sherry | The Pirates Of Penzance | B♭ Major | 5 | 6B | 107 BPM | ||
| Oh Is There Not One Maiden Breast | The Pirates Of Penzance | D♭ Major | 1 | 3B | 114 BPM | ||
| 18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle, Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Article | RECUERDO | C Major | 2 | 8B | 93 BPM | ||
| Berlin: Annie Get Your Gun, Act I: My Defenses Are Down | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson | D♭ Minor | 3 | 12A | 116 BPM | ||
| The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle | E♭ Major | 2 | 5B | 109 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM |