Ryan Culwell's 'Don't Let Go' had a release date set for January 28, 2022. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Run Like a Bull". In this album, this song's track order is #11. Don't Let Go is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don't Let Go by Ryan Culwell having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forever and Then Some | Lillie Mae | D Major | 6 | 10B | 98 BPM | ||
| Can’t Get It Right | Matthew Perryman Jones | A Minor | 5 | 8A | 160 BPM | ||
| Cold, Cold Ground | Muddy Fork | C Minor | 4 | 5A | 76 BPM | ||
| The Very Last Day | Parker Millsap | D♭ Minor | 3 | 12A | 90 BPM | ||
| You'll Never Leave Harlan Alive | Darrell Scott, Danny Thompson, Kenny Malone | D Minor | 2 | 7A | 137 BPM | ||
| Good Intentions | Robert Ellis | A Minor | 7 | 8A | 158 BPM | ||
| Black Flower Blooming | The Dead Tongues | C Major | 3 | 8B | 81 BPM | ||
| Ain’t Got No Money | Justin Townes Earle | D Minor | 7 | 7A | 108 BPM | ||
| Satisfied | Ryan Culwell | D♭ Minor | 6 | 12A | 119 BPM | ||
| Hell or high water | William Elliott Whitmore | A Major | 2 | 11B | 77 BPM | ||
| Call Me Sometime | Becky Warren | G Minor | 7 | 6A | 110 BPM | ||
| Old devils | William Elliott Whitmore | A Minor | 5 | 8A | 102 BPM | ||
| Diggin' my Grave | William Elliott Whitmore | A Major | 5 | 11B | 136 BPM | ||
| Denver Girls | Gill Landry | A Minor | 5 | 8A | 95 BPM | ||
| Long Low Down | Whiskey Shivers | D Major | 3 | 10B | 120 BPM | ||
| Pontiac | Travis Meadows | A♭ Major | 4 | 4B | 178 BPM | ||
| Live Oak | Jason Isbell | E Major | 1 | 12B | 176 BPM | ||
| Wherever You Go | Dee White | G Major | 7 | 9B | 84 BPM | ||
| Desire | The Black Lillies | F Major | 6 | 7B | 116 BPM | ||
| Crooked Kind of Free | Thomas Csorba | F♯ Minor | 5 | 11A | 111 BPM | ||
| The Whistle Is Blowing | The New Basement Tapes | C Major | 4 | 8B | 117 BPM | ||
| The Dogs | Justin Wells | B♭ Major | 8 | 6B | 147 BPM | ||
| Wrong Way to Run | Willy Tea Taylor | A♭ Major | 3 | 4B | 114 BPM | ||
| Waiting for the Taker | The Lowest Pair | A Minor | 5 | 8A | 118 BPM | ||
| Make Me No King | Bones Owens | B♭ Minor | 4 | 3A | 200 BPM |