On March 9, 2012, the song "Adios Buenos Aires" was released by Hyperion Ensemble. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Adios Buenos Aires's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Tango Epoca de Oro". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Adios Buenos Aires's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Adios Buenos Aires by Hyperion Ensemble having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tal Vez Sera Su Voz | Lucio Demare, Raúl Berón | G Minor | 5 | 6A | 128 BPM | ||
| Cabulero | Color Tango | C Major | 2 | 8B | 111 BPM | ||
| Los Vino´ | Otros Aires | A Minor | 5 | 8A | 136 BPM | ||
| Cimarrón de ausencia - Estilo Aníbal Troilo | SEXTETO VISCERAL | E Minor | 5 | 9A | 106 BPM | ||
| Tu pálida voz | Orquesta Color Tango De Roberto Alvarez | D Minor | 4 | 7A | 182 BPM | ||
| Mi taza de café | Orquesta Ricardo Malerba, Orlando Medina, Alfredo Malerba, Homero Manzi | B Minor | 3 | 10A | 116 BPM | ||
| Felicia | Solo Tango Orquesta | D Major | 7 | 10B | 108 BPM | ||
| Secreto | Orquesta Tipica Victor | B Minor | 2 | 10A | 122 BPM | ||
| Condena (S.O.S.) | Hyperion Ensemble, Ruben Peloni | E Minor | 3 | 9A | 129 BPM | ||
| Silueta Porteña | Bandonegro | G Minor | 2 | 6A | 133 BPM | ||
| Anibal Troilo | Julio De Caro | D Minor | 3 | 7A | 119 BPM | ||
| Yo tengo un pecado nuevo | Orquesta Fulvio Salamanca, Armando Guerrico | C Major | 3 | 8B | 119 BPM | ||
| Milonga de Mis Amores | Trio Hugo Diaz | A Major | 6 | 11B | 118 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| Mulatada | Amores Tangos | G Minor | 1 | 6A | 100 BPM | ||
| Siete palabras | Orquesta Carlos di Sarli | C Minor | 3 | 5A | 126 BPM | ||
| La Mulateada | Sexteto Milonguero | A Minor | 6 | 8A | 111 BPM | ||
| Si no estuvieras tu | Orquesta Rodolfo Biagi, Carlos Almagro, Leo Lipesker, Victor Braña | A Minor | 3 | 8A | 120 BPM | ||
| Milonga vieja milonga | Orquesta tipica de Juan D`Arienzo | F Minor | 4 | 4A | 101 BPM | ||
| Merceditas | Orquesta Típica "Osmar Maderna" | E Minor | 3 | 9A | 122 BPM | ||
| Cualquier Cosa | Domingo Federico | E Minor | 3 | 9A | 125 BPM | ||
| Felicia | Adolfo Carabelli | D Minor | 3 | 7A | 126 BPM | ||
| A Oscuras | Edgardo Donato | D Major | 4 | 10B | 128 BPM | ||
| Tabernero | Francisco Fiorentino | D Major | 2 | 10B | 129 BPM | ||
| Estas llorando | Orquesta Rodolfo Biagi, Hugo Duval, Juan Alfredo Pedernera, Carlos Antonio Russo | G Major | 4 | 9B | 135 BPM |