Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti's 'Holberg Suite, Op. 40: III. Gavotte (Version for Strings)' had a release date set for April 3, 2012. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Richard Tognetti, Australian Chamber Orchestra's "Grieg: holberg suite - string quartet in g minor - 2 elegiac melodies - erotikk" album is number 10 out of 12. On top of that, Sweden appears to be the country where this track was created. Holberg Suite, Op. 40: III. Gavotte (Version for Strings) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Holberg Suite, Op. 40: III. Gavotte (Version for Strings) by Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Small Tone Poems: No. 1, Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 71 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: III. Presto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 119 BPM | ||
| Violin Concerto in A minor, Op. 53: 1. Allegro ma non troppo - Quasi moderato | Antonín Dvořák, Julia Fischer, Tonhalle-Orchester Zürich, David Zinman | D Minor | 1 | 7A | 113 BPM | ||
| Haydn: Trumpet Concerto In E Flat - Ii Andante | Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| Má Vlast: The Moldau (Vltava), JB 1:112/2 | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | G Major | 2 | 9B | 98 BPM | ||
| Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italianaed | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | G Minor | 0 | 6A | 95 BPM | ||
| Devienne: Flute Concerto No. 7 in E Minor: II. Adagio | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | G Major | 0 | 9B | 84 BPM | ||
| Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Phantasy Quintet: II. Scherzo: Prestissimo | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E Minor | 1 | 9A | 82 BPM | ||
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
| Élégie, Op. 24 (Version for Cello & Orchestra) | Gabriel Fauré, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | A♭ Major | 0 | 4B | 87 BPM | ||
| Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla romanza | Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 78 BPM | ||
| Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
| Symphony in C Major, VB 139: III. Allegro | Joseph Martin Kraus, Swedish Chamber Orchestra, Petter Sundkvist | C Major | 2 | 8B | 142 BPM | ||
| Rodeo: III. Ranch House Party | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | B♭ Major | 3 | 6B | 156 BPM | ||
| Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | D Minor | 3 | 7A | 122 BPM | ||
| Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | A♭ Major | 0 | 4B | 68 BPM | ||
| Neruda: Trumpet Concerto In E Flat -I Allegro | Johann Baptist Georg Neruda, Tine Thing Helseth | E♭ Major | 1 | 5B | 102 BPM | ||
| Capriccio Espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | A Major | 2 | 11B | 129 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | F Major | 1 | 7B | 109 BPM | ||
| Suite No. 2, P. 138: IV. Bergamasca: Allegro | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 86 BPM | ||
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |