Various World Reknowed Orchestras And Conductors's ' "Sabre Dance From Gayne Ballet" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sabre Dance From Gayne Ballet is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sabre Dance From Gayne Ballet by Various World Reknowed Orchestras And Conductors is Grave (very slow), since this song has a tempo of 44 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
| Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
| Morning and Choices | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D♭ Minor | 4 | 12A | 88 BPM | ||
| Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
| Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Major | 0 | 9B | 59 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| "The Trout" from Quintet for Strings and Piano, D 667, Op. 114 | Ensemble Piacevole | D Major | 1 | 10B | 121 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 59 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | G Major | 0 | 9B | 59 BPM | ||
| 6 Lieder ohne Worte, Op. 19: No. 6, Venezianisches Gondellied | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 64 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 128 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| The Rustle of Spring, Op. 32/3 | Christian Sinding, Latvian Philharmonic Orchestra, Ilmar Lapinsch | F Minor | 1 | 4A | 93 BPM | ||
| Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | D Major | 2 | 10B | 109 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM |