George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal's ' "Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance" was released on its scheduled release date, January 1, 2009. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal's "Handel: Water Music Suites 1 & 2 - Fireworks Music Suite" album is number 18 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance by George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rondeau From Sinfonies De Fanfares | Jean-Joseph Mouret, Craig Duncan | D Major | 3 | 10B | 160 BPM | ||
| Largo (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | A♭ Minor | 2 | 1A | 93 BPM | ||
| Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene) | Giuseppe Verdi, Carlo Rizzi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 1 | 4B | 105 BPM | ||
| String Quartet No. 62 in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio. Cantabile | Joseph Haydn, Kodály Quartet | G Major | 1 | 9B | 110 BPM | ||
| Partita in F Major: III. Menuet | Johann Georg Albrechtsberger, Andrea Vigh, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 112 BPM | ||
| "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
| Clarinet Concerto K 622 - II. Adagio | The Jane Austen Era | D Major | 0 | 10B | 90 BPM | ||
| Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
| Triumphal March from Tancrede - Instrumental | André Campra, Richard Kapp, Philharmonia Virtuosi of New York | D Major | 3 | 10B | 149 BPM | ||
| Water Music, Suite No. 2, HWV 349: No. 12, Alla Hornpipe | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber | C Minor | 3 | 5A | 96 BPM | ||
| Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
| Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | D Major | 2 | 10B | 109 BPM | ||
| Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM | ||
| Symphony No. 5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
| Concerto Grosso in B Minor, Op. 6, No. 12, HWV 330: II. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Minor | 1 | 12A | 76 BPM | ||
| Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
| ゴルトベルク変奏曲 BWV.988/アリア(『ベイビーティース』より) | クリスティアーヌ・ジャコッテ | F♯ Major | 1 | 2B | 100 BPM | ||
| Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
| Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
| Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
| Toccata and Fugue in d monor, BWV 565 | London Pops Orchestra, Nelson Corbin | D Minor | 2 | 7A | 68 BPM | ||
| Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM |