Lavinia Meijer's 'Open Window: Part II' had a release date set for 2022. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Open Window: Part II's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winter by Lavinia Meijer. The song's track number on the album is #7 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Open Window: Part II is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Open Window: Part II by Lavinia Meijer has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Open Window: Part II being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
| Under the Sky | Maud Geffray, Lavinia Meijer | A Minor | 4 | 8A | 140 BPM | ||
| Divertissements: II. À l'espagnole. Avec galbe et très drapé | André Caplet, Lavinia Meijer | C Major | 0 | 8B | 84 BPM | ||
| DAMnation (feat. Pieter de Graaf) | Lavinia Meijer, Pieter de Graaf | F Minor | 3 | 4A | 111 BPM | ||
| Deep Blue Day - Piano Version | Roger Eno | E Major | 0 | 12B | 136 BPM | ||
| Swan Lake, op. 20 | Pyotr Ilyich Tchaikovsky, Martèn LeGrand | E Minor | 1 | 9A | 72 BPM | ||
| The Arctic Suite: V. Polar Winds | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | A Minor | 2 | 8A | 147 BPM | ||
| The Book of Sounds: Part 10 (Single Version) | Hans Otte, Carlos Cipa | E Minor | 1 | 9A | 88 BPM | ||
| The Hours - Music for the Film by Stephen Daldry: No. 14, The Hours | Philip Glass, Lavinia Meijer | G Minor | 0 | 6A | 79 BPM | ||
| Hymn | Karl Jenkins | F Major | 0 | 7B | 133 BPM | ||
| The Golden Eternity | Sophie Hutchings | F♯ Minor | 3 | 11A | 120 BPM | ||
| Waterfelt | Joel Christian Goffin | C Major | 0 | 8B | 77 BPM | ||
| The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
| Hello Stranger | Lavinia Meijer | A Major | 2 | 11B | 119 BPM | ||
| Butter Notes | Nils Frahm | B♭ Minor | 0 | 3A | 113 BPM | ||
| Fantasía | Gabríel Ólafs, Steiney Sigurðardóttir | D♭ Major | 1 | 3B | 98 BPM | ||
| Emerald and Stone (Arr. Lawson) | Brian Eno, Jon Hopkins, Leo Abrahams, Jess Gillam, Jess Gillam Ensemble | D Major | 0 | 10B | 73 BPM | ||
| Sálmur Variation | Gabríel Ólafs | G Minor | 0 | 6A | 122 BPM | ||
| The Renaissance Suite: II. PAVANE in Burnt Orange | Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale | G Minor | 1 | 6A | 131 BPM | ||
| A New Path | Jef Martens | E♭ Major | 0 | 5B | 59 BPM | ||
| Music for Airports, 2/1 | Bruce Brubaker | F Minor | 0 | 4A | 69 BPM | ||
| Distant Music: No. 3, Prelude | Valentin Silvestrov, Alice Sara Ott | F♯ Major | 0 | 2B | 65 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| Infinity | Rosey Chan | E♭ Major | 0 | 5B | 67 BPM | ||
| Prelude Piano Variation (After Prelude from Violin Sonata in F Major, Op. 5, No. 10) | Arcangelo Corelli, Martin Stadtfeld | F Major | 2 | 7B | 78 BPM |