"When I'm With Her" by Sharon Farber had its release date on October 14, 2008. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. When I'm With Her's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When Nietzsche Wept (Original Motion Picture Soundtrack) by Sharon Farber. The song's track number on the album is #19 out of 22 tracks. When I'm With Her is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since When I'm With Her by Sharon Farber has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With When I'm With Her being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey of the King Fish | BBC Concert Orchestra, Sarah Class | B Major | 6 | 1B | 87 BPM | ||
| 本屋街にて | Michiru Oshima | F Major | 2 | 7B | 74 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| An Early Sunrise | Randy Edelman | F Major | 1 | 7B | 75 BPM | ||
| She Is Slowly Dying | Kevin Smuts | G Major | 0 | 9B | 65 BPM | ||
| Crystal Shores | Antonio Esposito | D Major | 1 | 10B | 138 BPM | ||
| Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| The Window to Past and Future | Michael Emperiom, Emperiom, Fame's Macedonian Symphonic Orchestra, Oleg Kondratenko | C Major | 1 | 8B | 62 BPM | ||
| Peace in the Chaos - Aren't we all the same | Pekka Westerholm | F Major | 1 | 7B | 78 BPM | ||
| Pillar Of The Establishment - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | E♭ Major | 2 | 5B | 136 BPM | ||
| Show Her In / Club | Sharon Farber | E♭ Major | 3 | 5B | 129 BPM | ||
| Zero Hour | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| Gabriel's Trumpet | Marcelo Zarvos | C Minor | 0 | 5A | 73 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| Hey You | Sharon Farber | F Major | 1 | 7B | 67 BPM | ||
| First Meeting | Rob Lane, Klara Ketelaars, The Chamber Orchestra Of London | A Minor | 1 | 8A | 88 BPM | ||
| Say Their Names | Amy Andersson, Sharon Farber | C Major | 4 | 8B | 75 BPM | ||
| An Ideal Marriage | The Chamber Orchestra Of London | G Minor | 2 | 6A | 107 BPM | ||
| Grace Dreams | Alex Heffes | F Minor | 4 | 4A | 180 BPM | ||
| Le secret | Philippe Rombi | D Minor | 1 | 7A | 172 BPM | ||
| Making Love | Peter Gregson | G Major | 0 | 9B | 167 BPM | ||
| Bullies and Witches | Gabriel Yared | A Minor | 1 | 8A | 77 BPM | ||
| Eik (Oak) | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | G Minor | 0 | 6A | 173 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM |