- BPM
- 80
- Key
- D Major
- Camelot
- 10B
Nativity Carol by Hallé, Claire Rutter, Eric Traulert, Halle Choir Song Details
"Nativity Carol" by Hallé, Claire Rutter, Eric Traulert, Halle Choir had its release date on September 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hallé, Claire Rutter, Eric Traulert's "Hallé Christmas Classics" album is number 3 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Nativity Carol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Nativity Carol by Hallé, Claire Rutter, Eric Traulert, Halle Choir to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -28.116 dB
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 7%
- Instrumentalness
- 79%
- Liveness
- 22%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Kingdom, Op. 51: Prelude | Sir Edward Elgar, Hallé, Sir Mark Elder | A♭ Major | 0 | 4B | 70 BPM | |
 | Six Songs from A Shropshire Lad (Orchestrated by Roderick Williams): No. 1, Loveliest of trees | George Butterworth, Hallé, Sir Mark Elder, Roderick Williams | F Major | 0 | 7B | 79 BPM | |
 | Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | |
 | Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
| Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 1 | 8B | 79 BPM | |
 | Concerto for Cello and Strings: III. Radiant | Dobrinka Tabakova, Hallé, Delyana Lazarova, Guy Johnston | G Major | 0 | 9B | 94 BPM | |
 | Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | |
 | The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | |
 | Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | |
 | Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante, Pt. 1 | Wolfgang Amadeus Mozart, Stephen Hough, Bryden Thomson, Hallé | B♭ Minor | 1 | 3A | 99 BPM | |
 | Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | |
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz](https://i.scdn.co/image/ab67616d00001e029057c124b554163ef1edd618) | Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | |
 | The Sorcerer's Apprentice | Paul Dukas, Leonard Bernstein, New York Philharmonic | D♭ Major | 5 | 3B | 129 BPM | |
 | The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | |
 | Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM | |
 | 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | |
 | Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | |
 | Man with Limp Wrist: VI The Reader | William Marsey, Hallé, Thomas Adès | E Minor | 1 | 9A | 124 BPM | |
| The Dream of Gerontius, Op. 38, Pt.2: I see not those false spirits | Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé | E♭ Minor | 0 | 2A | 93 BPM | |
 | Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | |
 | M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |
- ISRC
- GBXSY0800109
- Label
- L-M Records/RCA Records