"V. Suitte En Si Mineur: Allemande (De Sainte Colombe Le Fils)" by Monsieur de Sainte-Colombe, Public Domain, Jordi Savall had its release date on January 1, 2003. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jordi Savall's "Mr. De Sainte Colombe Le Fils - Pièces De Viole" album is number 15 out of 37. On top of that, Switzerland appears to be the country where this track was created. V. Suitte En Si Mineur: Allemande (De Sainte Colombe Le Fils) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V. Suitte En Si Mineur: Allemande (De Sainte Colombe Le Fils) by Monsieur de Sainte-Colombe, Public Domain, Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Grave | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 67 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: IV. Presto - Adagio | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 3 | 1A | 125 BPM | ||
| Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
| Libro IV d'intavolatura di chitarrone: Capona (Arr. X. Díaz-Latorre) | Giovanni Girolamo Kapsberger, Friederike Heumann, Xavier Diaz-Latorre | B Major | 0 | 1B | 97 BPM | ||
| Trio Sonata in G Major, TWV 42:G10: III. Affettuoso | Georg Philipp Telemann, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
| Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 103 BPM | ||
| Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Major | 1 | 2B | 117 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Sonata in A Major, No. 6: I. Grave | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | E♭ Major | 1 | 5B | 137 BPM | ||
| Pièces à une et deux violes, Premier Livre, Suite in G Minor: Sarabande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| La comica del cielo: Sinfonia | Antonio Maria Abbatini, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 1 | 6B | 94 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | B♭ Major | 1 | 6B | 141 BPM | ||
| Sopra Passemezzo moderno | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 2 | 9B | 139 BPM | ||
| Violin Concerto in F Major, RV 293 "L'autunno": II. Adagio molto | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | E♭ Major | 0 | 5B | 94 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Deuxième livre de pièces de viole: Les Voix Humaines (Arr. for solo viol by Johanna Rose) | Marin Marais, Johanna Rose | E Major | 0 | 12B | 120 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | ||
| Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Suite in A Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | B♭ Minor | 1 | 3A | 85 BPM |